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Dramaturgies of Theatrical Imagination
Spectatorial Agency in Lessing and Kleist -
Performing the Modern German
Performance and Identity in Contemporary German Cinema -
Against Roland Barthes. Why Ibsen’s "A Doll’s House" is Not a Feminist Text, but a Humanist one
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Seven Plays By Sean O'casey
A Student's Edition -
Performing the modern German
performance and identity in contemporary German cinema -
An other Kind of Home
Gender-Sexual Abjection, Subjectivity, and the Uncanny in Literature and Film -
Strindberg - Other Sides
Seven Plays Translated and introduced by Joe Martin with a Foreword by Björn Meidal -
Dramaturgies of theatrical imagination
spectatorial agency in Lessing and Kleist -
Theaters of error
problems of performance in German and French enlightenment theater