Verlag:
John Benjamins Publishing Company, Amsterdam
The Appropriation of Media in Everyday Life -- Editorial page -- Title page -- LCC data -- Table of contents -- Acknowledgments -- Introduction -- 1. Introduction -- 2. Everydayification and boundary dissolution -- 3. Disconnection and interweaving...
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The Appropriation of Media in Everyday Life -- Editorial page -- Title page -- LCC data -- Table of contents -- Acknowledgments -- Introduction -- 1. Introduction -- 2. Everydayification and boundary dissolution -- 3. Disconnection and interweaving -- 4. The role of method -- 5. Discourse and conversation analysis -- References -- Overview of the volume -- Patterns of television reception -- Communicative activities during the television reception -- 1. Introduction -- 2. General structures of recipient communication -- 3. Changes in preference structures in television reception talk: Directness and disagreements -- 3.1 Disagreements -- 3.2 Backbiting -- 3.3 Corrections -- 4. The reception of different media genres: The case of television advertisement -- 5. Conclusion -- References -- Appendix -- Transcription Conventions -- Notability -- 1. Introduction -- 2. Research on television reception -- 3. Analogies of notability to tellability and related concepts -- 4. The ATTAC-Corpus -- 5. The workings of notability -- 5.1 Notability licensing other-interruption -- 5.2 Notability licensing self-interruption -- 5.3 Simultaneousness between the viewers' talk and the media text -- 6. Multimodality: More than words -- 7. Notability and its connection to the exogenous event -- 8. Conclusion -- References -- Appendix -- Transcription conventions -- Intertextual quotation -- 1. Introduction -- 2. Intertextuality, intertextual repetition, intertextual quotation -- 3. Data description and method of analysis -- 4. Intertextual quotation as evaluative stance -- 5. Conversational strategies of intertextual quoting -- 6. Pragmatic strategies of intertextual quoting -- 7. Conclusion -- References -- Appendix -- Transcription conventions -- part ii. The reception of media genres -- Watching out loud -- 1. Introduction.