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  1. Text and supertext in Ibsen's drama
    Autor*in:
    Erschienen: ©1989
    Verlag:  Pennsylvania State University Press, University Park, PA

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Hochschule Esslingen, Bibliothek
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    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
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    eBook EBSCO AC
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    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
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    Südwestdeutscher Bibliotheksverbund (SWB)

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    Saarländische Universitäts- und Landesbibliothek
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    Südwestdeutscher Bibliotheksverbund (SWB)

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    Universitätsbibliothek der Eberhard Karls Universität
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    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     
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    Quelle: Verbundkataloge
    Beteiligt: Johnston, Brian
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619; 0271071613; 9780271040646; 0271040645
    RVK Klassifikation: GW 8833
    Schlagworte: Criticism; Drama; Criticism; Drama; Criticism; Drama; LITERARY CRITICISM ; European ; German; Criticism ; Methodology; Drama ; Technique; Drama; Toneelstukken; Noors; Languages & Literatures; Germanic Literature; DRAMA / European / General; Criticism, interpretation, etc
    Weitere Schlagworte: Ibsen, Henrik 1828-1906; Ibsen, Henrik (1828-1906); Ibsen, Henrik (1828-1906); Ibsen, Henrik 1828-1906; Ibsen, Henrik; Ibsen, Henrik; Ibsen, Henrik
    Umfang: Online Ressource (viii, 299 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 291-293) and index. - Print version record