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  1. Women artists in early modern Italy
    careers, fame, and collectors
    Autor*in:
    Erschienen: [2016]; © 2016
    Verlag:  Harvey Miller Publishers, London

    In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary information about the diverse strategies that women found for carrying out their artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Felipe II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes--so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to public scrutiny, to a much greater extent than what their male counterparts experienced. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting their self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, but turned their backs to the contemporary women artists their midst

     

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    Verlag (Table of contents)
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Beteiligt: Barker, Sheila (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9781909400351; 1909400351
    RVK Klassifikation: LN 10100 ; NW 8100 ; LH 60250
    Körperschaften/Kongresse: Conference Artiste nell'Italia dell'Età Moderna (2012, Florenz)
    Schriftenreihe: The Medici Archive Project series
    Schlagworte: Women artists; Women artists; Women artists; Women artists; Women artists; Women artists; Anguissola, Sofonisba; Anguissola, Sofonisba; Francini, Costanza; Francini, Costanza; Gentileschi, Artemisia; Gentileschi, Artemisia; Nati, Camilla Guerrieri; Nati, Camilla Guerrieri; Paladini, Arcangela; Paladini, Arcangela; Quistelli, Lucrezia; Quistelli, Lucrezia
    Weitere Schlagworte: Anguissola, Sofonisba (approximately 1532 or 1533-1625); Quistelli, Lucrezia (1541-1594); Paladini, Arcangela; Francini, Costanza (1597-1657); Guerrieri, Camilla (1628-); Gentileschi, Artemisia (1593-1652 or 1653)
    Umfang: 181 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben

    "[...] the 2012 conference 'Artiste nell'Italia dell'Età Moderna/Women Artists in Early Modern Italy' [...] - Acknowledgments

    Sheila Barker: Introduction

    Sheila ffolliott: 'Più che famose': Some Thoughts on Women Artists in Early Modern Europe

    Cecilia Gamberini: Sofonisba Anguissola at the Court of Philip II

    Barbara Tramelli: Sofonisba Anguissola, 'Pittora de Natura': A Page from Van Dyck's Italian Sketchbook

    Sheila Barker: Lucrezia Quistelli (1541-94), a Woman Artist in Vasari's Florence

    Lisa Goldenberg Stoppato: Arcangela Paladini and the Medici

    Julia Vicioso: Costanza Francini: A Painter in the Shadow of Artemisia Gentileschi

    Eve Straussman-Pflanzer: The Medici's First Woman Court Artist: The Life and Career of Camilla Guerreira Nati

    Adelina Modesti: A Newly Discovered Late Work by Artemisia Gentileschi: Susanna and the Elders of 1652

    Roberta Piccinelli: Female Painters and Cosimo III de' Medici's Art Collecting Project

    : The English Collectors of Italy's Female Old Masters, 1700-1824 / Nicole Escobedo.