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On first looking into Arden's Goethe
adaptations and translations of classical German plays for the modern English stage -
After Brecht
British epic theater -
Contemporary women playwrights
into the twenty-first century -
Tragicomedy and contemporary culture
play and performance from Beckett to Shepard -
On first looking into Arden's Goethe
adaptations and translations of classical German plays for the modern English stage -
Mapping uncertain territories
space and place in contemporary theatre and drama ; papers given on the occasion of the fourteenth annual conference of the German Society for Contemporary Theatre and Drama in English -
The theatre of the absurd
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On first looking into Arden's Goethe
adaptations and translations of classical German plays for the modern English stage -
Tragicomedy and contemporary culture
play and performance from Beckett to Shepard -
The theatre of the absurd
-
The theatre of the absurd
-
The theatre of the absurd
-
The theatre of the absurd
-
Tragicomedy and contemporary culture
play and performance from Beckett to Shepard -
Die Neuen englischen Dramatiker in ihrem Verhältnis zu Brecht
(unter besonderer Berücksichtigung von Wesker, Osborne und Arden) -
Literary worlds and Deleuze
expression as mimesis and event -
Contemporary women playwrights
into the twenty-first century -
Elizabethan and Jacobean reappropriation in contemporary British drama
'upstart crows' -
The theatre of the Absurd
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The theatre of the absurd
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CDE studies
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Enter SHAKESPEARE.
der Dramatiker als Figur im modernen Drama -
Mapping uncertain territories
space and place in contemporary theatre and drama ; papers given on the occasion of the fourteenth annual conference of the German Society for Contemporary Theatre and Drama in English -
Monologues
theatre, performance, subjectivity -
Contemporary Women Playwrights
Into the 21st Century