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  1. The Cambridge introduction to French literature
    Autor*in: Nelson, Brian
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    "In this highly accessible introduction, Brian Nelson provides an overview of French literature - its themes and forms, traditions and transformations - from the Middle Ages to the present. Major writers, including Francophone authors writing from... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 953888
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Herzog August Bibliothek Wolfenbüttel
    65.3091
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this highly accessible introduction, Brian Nelson provides an overview of French literature - its themes and forms, traditions and transformations - from the Middle Ages to the present. Major writers, including Francophone authors writing from areas other than France, are discussed chronologically in the context of their times, to provide a sense of the development of the French literary tradition and the strengths of the most influential writers within it. Nelson offers close readings of exemplary passages from key works, presented in the original French and with an English translation. The exploration of the work of important writers, including Villon, Racine, Molière, Voltaire, Balzac, Flaubert, Zola, Proust, Sartre and Beckett, highlights the richness and diversity of French literature"--

     

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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521887083; 9780521715096
    RVK Klassifikation: IE 1000 ; IE 2260
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: French literature
    Umfang: xx, 298 S., 24 cm
    Bemerkung(en):

    Includes bibliographical references and indexes

    Machine generated contents note: Preface; Acknowledgements; Chronology; 1. Villon: a dying man; 2. Rabelais: the uses of laughter; 3. Montaigne: self-portrait; 4. Corneille: heroes and kings; 5. Racine: in the labyrinth; 6. Molière: new forms of comedy; 7. La Fontaine: the power of fables/fables of power; 8. Madame de Lafayette: the birth of the modern novel; 9. Voltaire: the case for tolerance; 10. Rousseau: man of feeling; 11. Diderot: the enlightened sceptic; 12. Laclos: dangerous liaisons; 13. Stendhal: the pursuit of happiness; 14. Balzac: 'All is true'; 15. Hugo: the divine stenographer; 16. Baudelaire: the streets of Paris; 17. Flaubert: the narrator vanishes; 18. Zola: the poetry of the real; 19. Huysmans: against nature; 20. Mallarme;: the magic of words; 21. Rimbaud: somebody else; 22. Proust: the self, time and art; 23. Jarry: the art of provocation; 24. Apollinaire: impresario of the new; 25. Breton and company: surrealism; 26. Ce;line: night journey; 27. Sartre: writing in the world; 28. Camus: a moral voice; 29. Beckett: filling the silence; 30. French literature into the twenty-first century; Notes; Further reading.