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Norbert Elias, the confusions of "Törleß" and the ethics of shamelessness
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Ingeborg Bachmann
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Re-acting to Ingeborg Bachmann ... Ed. by Caitríona Leahy and Bernadette Cronin [Rezension]
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Scham, Beschämung und Gesellschaftskritik in Gottfried Kellers "Martin Salander" und Wilhelm Raabes "Stopfkuchen"
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Libuše Moníková in Memoriam ; Body and narrative in contemporary literatures in German. ... By Lyn Marven [Rezension]
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Women writers and national identity
Bachmann, Duden, Özdamar -
Recasting historical women
female identity in German biographical fiction -
Masochism and its limits in Robert Musil's "Die Vollendung der Liebe"
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Ästhetik des Mythischen. By Bettina von Jagow [Rezension]
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'Kein Ort. Nirgends.'
a place for feminist deconstruction? -
"What matters who's speaking?"
identity, experience and problems with feminism in Ingeborg Bachmann's 'Malina' -
Recasting historical women
female identity in German biographical fiction -
Women writers and national identity
Bachmann, Duden, Özdamar -
Women writers and national identity
Bachmann, Duden, Özdamar -
Recasting historical women
female identity in German biographical fiction -
Comedy and trauma in Germany and Austria after 1945
the inner side of mourning -
Recasting historical women
female identity in German biographical fiction -
Comedy and trauma in Germany and Austria after 1945
the inner side of mourning -
Comedy and trauma in Germany and Austria after 1945
the inner side of mourning -
Plowman, Andrew: The radical subject [Rezension]
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The Holocaust and the representation of the female subject in Ingeborg Bachmann's 'Malina' and Anne Duden's 'Das Judasschaf'
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Conquering women [Rezension]
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Considering ethics in the short prose of Anne Duden
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Desire and complicity in Anne Duden's 'Das Judasschaf'
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Comedy and trauma in Germany and Austria after 1945
the inner side of mourning