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  1. Cathay
    A Critical Edition
    Autor*in: Pound, Ezra
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the "inventor of Chinese poetry for our time." Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word "cribs" left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange.This fully annotated critical edition focuses on Pound’s astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound’s poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature.The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa’s notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound’s creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound’s translation process as a kind of "clairvoyance," displaying instead the impressive amount of sinological learning preserved in Fenollosa’s hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound’s poems and making the process of translation visible even for readers with no knowledge of Chinese. Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound’s unique version of "The Seafarer," which is fully annotated alongside its Anglo-Saxon source.

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Billings, Timothy; Bush, Christopher (Sonstige); Saussy, Haun (Sonstige)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823281398
    Weitere Identifier:
    Schlagworte: Chinese Poetry; Comparative Literature; Critical Edition; Ernest Fenollosa; Global Modernism; Modernism; Orientalism; Philology; Translation; World Literature; POETRY / American / General; Chinese poetry; English poetry
    Umfang: 1 online resource (364 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. The future of New Testament textual scholarship
    from H.C. Hoskier to the Editio critica maior and beyond
    Autor*in:
    Erschienen: [2019]; © 2019
    Verlag:  Mohr Siebeck, Tübingen

    Dieser Sammelband untersucht textkritische Forschungsansätze zum Neuen Testament und seinen Manuskripten im Zeitalter von digitaler Aufbereitung und Medien. Anhand der herausragenden Arbeit von Herman Charles Hoskier als gemeinsamer Grundlage für die... mehr

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    Dieser Sammelband untersucht textkritische Forschungsansätze zum Neuen Testament und seinen Manuskripten im Zeitalter von digitaler Aufbereitung und Medien. Anhand der herausragenden Arbeit von Herman Charles Hoskier als gemeinsamer Grundlage für die Analyse, untersuchen die Beiträger die intellektuelle Geschichte der neutestamentlichen Textforschung und der Erstellung kritischer Ausgaben, identifizieren viele Möglichkeiten für die weitere Forschung und diskutieren die Methoden und Protokolle bei der Erstellung der neuesten Edition des Neuen Testament: der Editio Critica Maior. This volume fundamentally re-examines textual approaches to the New Testament and its manuscripts in the age of digital editing and media. Using the eccentric work of Herman Charles Hoskier as a shared foundation for analysis, contributors examine the intellectual history of New Testament textual scholarship and the production of critical editions, identify many avenues for further research, and discuss the methods and protocols for producing the most recent set of editions of the New Testament: the Editio Critica Maior. Instead of comprising the minute refinement of a basically acceptable text, textual scholarship on the New Testament is a vibrant field that impinges upon New Testament Studies in unexpected and unacknowledged ways. Contributors:Garrick V. Allen, J. K. Elliott, Gregory Peter Fewster, Peter J. Gurry, Juan Hernández Jr., H. A. G. Houghton, Annette Hüffmeier, Dirk Jongkind, Martin Karrer, Jennifer Wright Knust, Jan Krans, Thomas J. Kraus, Christina M. Kreinecker, Curt Niccum, D. C. Parker, Jacob Peterson, Stanley E. Porter, Catherine Smith, Jill Unkel, Klaus Wachtel, Tommy Wasserman, An-Ting Yi

     

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    Quelle: Verbundkataloge
    Beteiligt: Allen, Garrick V. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783161566639
    Weitere Identifier:
    RVK Klassifikation: BC 6090
    Schriftenreihe: Wissenschaftliche Untersuchungen zum Neuen Testament ; 417
    Schlagworte: Normentheorie; Intellectual History; Critical Edition; Paratexts; manuscript studies; Versions of the New Testament; Wissenschaftliche Untersuchungen zum Neuen Testament; Christian-Arabic literature
    Umfang: 1 Online-Ressource (XI, 523 Seiten), Illustrationen, Diagramme
    Bemerkung(en):

    Literaturverzeichnis: Seite 463-502

    "[...] this book is the product of a conference held at Dublin City University's All Hallows Campus on 28-30 August 2017." - Preface, Seite XI

  3. Who's Zoomin' Who? Bhagavadgītā Recensions in India and Germany
    Erschienen: [2016]

    This article discusses the political and theological ends to which the thesis of different "recensions" of the Bhagavadgītā were put in light of recent work on the search for an "original" Gītā (Adluri, Vishwa and Joydeep Bagchee, 2014, The Nay... mehr

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    This article discusses the political and theological ends to which the thesis of different "recensions" of the Bhagavadgītā were put in light of recent work on the search for an "original" Gītā (Adluri, Vishwa and Joydeep Bagchee, 2014, The Nay Science: A History of German Indology; Adluri, Vishwa and Joydeep Bagchee, 2016a, Paradigm Lost: The Application of the Historical-Critical Method to the Bhagavad Gītā). F. Otto Schrader in 1930 argued that the "Kashmir recension" of the Bhagavadgītā represented an older and more authentic tradition of the Gītā than the vulgate text (1930, 8, 10). In reviews of Schrader's work, Franklin Edgerton (Journal of the American Oriental Society 52: 68-75, 1932) and S. K. Belvalkar (New Indian Antiquary 2: 211-51, 1939a) both thought that the balance of probabilities was rather on the side of the vulgate. In a trenchant critique, Edgerton took up Schrader's main arguments for the originality of the variant readings or extra verses of the Kashmir version (2.5, 11; 6.7; 1.7; 3.2; 5.21; 18.8; 6.16; 7.18; 11.40, 44; 13.4; 17.23; 18.50, 78) and dismissed them out of hand (1932, 75). Edgerton's assessment was reinforced by Belvalkar, who included a survey of various other "versions" of the Gītā in existence, either by hearsay or imitation. Belvalkar was especially hostile to the possibility of a Kashmir recension, because, as he noted, "once Schrader's thesis is accepted as proved, it raises the possibility of other recensions of the Poem being current at different times in different parts of India" (1939a, 212). Belvalkar was consequent in following this assessment in the Critical Edition of the Bhagavadgītā, and the text reprinted there is essentially that of Sa?kara's eighth-century commentary. Yet, the publication of the Critical Edition has not sufficed to end the controversy, as witnessed by the latest spate of works (Vedavyas, E, 1990, Ancient Bhagavad Gita: Original Text of 745 verses, with Critical Introduction) (Bhattacharjya, Sunil Kumar, 2013, The Original Bhagavadgītā. Complete with 745 Verses) that claim to have discovered the "original" Gītā. In light of these attempts, we raise the question: why is there such interest in identifying versions of the text at variance from the normative one? And why do Indologists, in the name of "critical" scholarship, continue to welcome the creation of apocryphal versions of Indian texts? We suggest that there is a historical link between German Indology's emphasis on creating new texts and German Protestantism.

     

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    Quelle: Verbundkataloge
    Beteiligt: Adluri, Vishwa (VerfasserIn)
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: International journal of Dharma Studies; Berlin : Springer Open, 2013; 4 (2016) article 4; Online-Ressource

    Schlagworte: Critical Edition; Epistemic Authority; Fetishism; Variant Reading; Verse
  4. Cathay
    A Critical Edition
    Autor*in: Pound, Ezra
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Augsburg, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the "inventor of Chinese poetry for our time." Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word "cribs" left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange.This fully annotated critical edition focuses on Pound’s astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound’s poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature.The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa’s notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound’s creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound’s translation process as a kind of "clairvoyance," displaying instead the impressive amount of sinological learning preserved in Fenollosa’s hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound’s poems and making the process of translation visible even for readers with no knowledge of Chinese. Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound’s unique version of "The Seafarer," which is fully annotated alongside its Anglo-Saxon source.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Billings, Timothy; Bush, Christopher (Sonstige); Saussy, Haun (Sonstige)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823281398
    Weitere Identifier:
    Schlagworte: Chinese Poetry; Comparative Literature; Critical Edition; Ernest Fenollosa; Global Modernism; Modernism; Orientalism; Philology; Translation; World Literature; POETRY / American / General; Chinese poetry; English poetry
    Umfang: 1 online resource (364 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  5. The Future of New Testament Textual Scholarship
    From H. C. Hoskier to the Editio Critica Maior and Beyond
    Autor*in:
    Erschienen: 2019
    Verlag:  Mohr Siebeck, Tübingen

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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Allen, Garrick V. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783161566639
    Weitere Identifier:
    9783161566639
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Wissenschaftliche Untersuchungen zum Neuen Testament ; 417
    Schlagworte: Intellectual History; Paratexts; manuscript studies; Critical Edition; Versions of the New Testament; Wissenschaftliche Untersuchungen zum Neuen Testament