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Musica practica
the social practice of Western music from Gregorian chant to postmodernism -
Concert life in eighteenth-century Britain
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Frankfurter Concert-Chronik von 1721 - 1780
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George Smart and nineteenth-century London concert life
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Assembly Room. Mr. Reeve, jun. takes the liberty of informing the nobility, gentry, and his friends in general, that his benefit concert is fixed for Thursday, October the 6th, 1796. When will be 'performed, act first
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A Fourth grand selection of sacred music, from the works of Handel; as performed at the Theatre-Royal, Covent-Garden, on Friday, April 3, 1789
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Konzert-Szenen
Bewegung, Performance, Medien ; Musik zwischen performativer Expansion und medialer Integration 1950 - 2000 -
A Sacred oratorio will be performed at the Rev. Dr. Prince's Meeting-House, under the direction of Dr. G.K. Jackson
assisted by the theatrical band, and many respectable vocal and instrumental amateurs of Boston. -
Oratorio, as performed at Windsor, July 4th, 1817
Order of performance -
Grand concert of sacred music. Philadelphia, May 4, 1786
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Music in the British provinces, 1690-1914
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Musica practica
the social practice of Western music from Gregorian chant to postmodernism -
Grand concert of sacred music. Philadelphia, May 4, 1786
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By permission of the Rev. the Vice-Chancellor, and the Worshipful the Mayor. For the benefit of Mr. Hellendaal, sen. At the Town-Hall, on Thursday, the 15th of November, 1792, will be performed a concert of vocal & instrumental music
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By permission of the Right Worshipful the Vice-Chancellor. In the concert room, at the Black Bear Inn, Shoemaker-Row, Cambridge, on Wednesday evening, May 2, 1792, by Mr. Burke, from the Theatre Royal, Weymouth, ... will be presented an entire new species of entertainment, called As you like it
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Sacred concert
The principal musicians from Boston, respectfully inform the ladies and gentlemen of Newburyport, and its vicinity, that they will give a concert of sacred music, on Friday, the 13th instant, at the Reverend Mr. Andrew's meeting-house -
Les concerts symphoniques à Paris au temps de Berlioz
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Name - Nummer - Titel
Ankündigungsformen im Konzertprogramm und bürgerliche Musikrezeption im 19. Jahrhundert -
Hallelujah
the story of a musical genius and the city that brought his masterpiece to life -
Neue Musik im kirchlichen Raum der 1960er Jahre
Clytus Gottwald und die Folgen -
Les concerts de la reine (1725-1768)
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Muss ich das Programmheft lesen?
Zur populärwissenschaftlichen Darstellung von Musik seit 1945 -
Music in the British provinces, 1690-1914
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Concert life in eighteenth-century Britain
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The great transformation of musical taste
concert programming from Haydn to Brahms