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  1. The geological unconscious
    German literature and the mineral imaginary
    Autor*in: Groves, Jason
    Erschienen: 2020; © 2020
    Verlag:  Fordham University Press, New York

    Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious traces the withdrawal of the lithosphere as a reliable setting, unobtrusive backdrop, and stable point of reference for literature written well before the current climate breakdown.Through a series of careful readings of romantic, realist, and modernist works by Tieck, Goethe, Stifter, Benjamin, and Brecht, Groves elaborates a geological unconscious—unthought and sometimes actively repressed geological knowledge—in European literature and environmental thought. This inhuman horizon of reading and interpretation offers a new literary history of the Anthropocene in a period before it was named.These close readings show the entanglement of the human and the lithic in periods well before the geological turn of contemporary cultural studies. In those depictions of human-mineral encounters, the minerality of the human and the minerality of the imagination become apparent. In registering libidinal investments in the lithosphere that extend beyond Carboniferous deposits and beyond any carbon imaginary, The Geological Unconscious points toward alternative relations with, and less destructive mobilizations of, the geologic

     

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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823288120
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: Anthropocene; Climate Fiction; Deep time; Ecocriticism; Ecopoetics; Geopoetics; Literary Criticism; Realism; Romanticism; LITERARY CRITICISM / European / German; Ecology in literature; Geology in literature; German literature
    Umfang: 1 Online-Ressource (174 Seiten), Illustrationen
  2. The geological unconscious
    German literature and the mineral imaginary
    Autor*in: Groves, Jason
    Erschienen: 2020; © 2020
    Verlag:  Fordham University Press, New York

    Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Augsburg, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious traces the withdrawal of the lithosphere as a reliable setting, unobtrusive backdrop, and stable point of reference for literature written well before the current climate breakdown.Through a series of careful readings of romantic, realist, and modernist works by Tieck, Goethe, Stifter, Benjamin, and Brecht, Groves elaborates a geological unconscious—unthought and sometimes actively repressed geological knowledge—in European literature and environmental thought. This inhuman horizon of reading and interpretation offers a new literary history of the Anthropocene in a period before it was named.These close readings show the entanglement of the human and the lithic in periods well before the geological turn of contemporary cultural studies. In those depictions of human-mineral encounters, the minerality of the human and the minerality of the imagination become apparent. In registering libidinal investments in the lithosphere that extend beyond Carboniferous deposits and beyond any carbon imaginary, The Geological Unconscious points toward alternative relations with, and less destructive mobilizations of, the geologic

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823288120
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: Anthropocene; Climate Fiction; Deep time; Ecocriticism; Ecopoetics; Geopoetics; Literary Criticism; Realism; Romanticism; LITERARY CRITICISM / European / German; Ecology in literature; Geology in literature; German literature
    Umfang: 1 Online-Ressource (174 Seiten), Illustrationen
  3. The Geological Unconscious
    German literature and the mineral imaginary
    Autor*in: Groves, Jason
    Erschienen: 2020
    Verlag:  Fordham University Press, New York

    Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Collegium Carolinum, Wissenschaftliche Bibliothek im Sudetendeutschen Haus
    keine Fernleihe

     

    Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious traces the withdrawal of the lithosphere as a reliable setting, unobtrusive backdrop, and stable point of reference for literature written well before the current climate breakdown.Through a series of careful readings of romantic, realist, and modernist works by Tieck, Goethe, Stifter, Benjamin, and Brecht, Groves elaborates a geological unconscious—unthought and sometimes actively repressed geological knowledge—in European literature and environmental thought. This inhuman horizon of reading and interpretation offers a new literary history of the Anthropocene in a period before it was named.These close readings show the entanglement of the human and the lithic in periods well before the geological turn of contemporary cultural studies. In those depictions of human-mineral encounters, the minerality of the human and the minerality of the imagination become apparent. In registering libidinal investments in the lithosphere that extend beyond Carboniferous deposits and beyond any carbon imaginary, The Geological Unconscious points toward alternative relations with, and less destructive mobilizations of, the geologic

     

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  4. Allegory of an Anthropocene Epic ; Reading the Anthropocene in Morten Strøksnes’ Shark Drunk (2017)
    Erschienen: 2024
    Verlag:  Humboldt-Universität zu Berlin

    This article engages with discussion on literary imaginaries and Anthropocene scales, by examining the Norwegian narrative nonfiction text Shark Drunk: The Art of Catching a Large Shark in a Tiny Rubber Dinghy in a Big Ocean , by Morten Strøksnes.... mehr

     

    This article engages with discussion on literary imaginaries and Anthropocene scales, by examining the Norwegian narrative nonfiction text Shark Drunk: The Art of Catching a Large Shark in a Tiny Rubber Dinghy in a Big Ocean , by Morten Strøksnes. Focussing specifically on the oceanic setting of the text and the description of the Greenland shark, this article explores how the text employs allegory and humour to situate a sense of Anthropocene scales, and what the theme of conquest adds to an Anthropocene reading. ; Dieser Artikel greift die Diskussion über literarische Imaginationen und Anthropozän-Maßstäbe auf, indem er den nichtfiktionalen Erzähltext des norwegischen Autors Morten Strøksnes Shark Drunk: Die Kunst, einen großen Hai in einem winzigen Schlauchboot in einem großen Ozean zu fangen (2017) untersucht. Dieser Artikel konzentriert sich speziell auf das ozeanische Setting des Textes und die Beschreibung des Grönlandhais und untersucht, wie der Text Allegorie und Humor einsetzt, um ein Gefühl für anthropozäne Maßstäbe zu vermitteln, und was das Thema der Eroberung zu einer anthropozänen Lesart beiträgt.

     

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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Andere germanische Literaturen (839); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Artikel; Article; Morten Strøksnes; Shark Drunk; Havboka; Norwegen; Anthropozän; Norway; Anthropocene
    Lizenz:

    (CC BY 4.0) Attribution 4.0 International ; creativecommons.org/licenses/by/4.0/