Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
Letzte Suchanfragen

Ergebnisse für *

Es wurden 3 Ergebnisse gefunden.

Zeige Ergebnisse 1 bis 3 von 3.

Sortieren

  1. Form in the Menschheitsdämmerung
    a study of prosodic elements and style in German expressionist poetry
    Autor*in: Newton, Robert P.
    Erschienen: 1971
    Verlag:  Mouton, The Hague

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110891010; 3110891018; 9789027917676; 9027917671
    Schriftenreihe: De proprietatibus litterarum ; 7
    Schlagworte: Poésie allemande / 19e siècle / Histoire et critique; POETRY / Continental European; German poetry; Expressionism
    Weitere Schlagworte: Pinthus, Kurt / 1886-1975; Pinthus, Kurt (1886-1975): Menschheitsdämmerung
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 255-260) and index

    ""Acknowledgment ""; ""Reference Abbreviations ""; ""Numerical References To Poems In The Menschheitsd�mmerung ""; ""I. The Critical View Of Form In Expressionist Poetry ""; ""1. Introduction ""; ""2. “Form� As A Motif In The Menschheitsd�mmerung ""; ""3. Critical Views On Form In Expressionism ""; ""4. Current Views On Form In Expressionism ""; ""5. The Problems Of Expressionist Form ""; ""6. Critical Utility Of Such A Survey ""; ""7. State Of Form Study In Expressionist Research ""; ""Ii. Who Or What Is Expressionism? ""; ""1. The Problem Of �Expressionism� ""

    ""2. Attempts At Definition """"3. The MenschheitsdÃ?mmerung As A Basis For Form Study ""; ""4. Conclusion ""; ""Iii. The Use Of Conventional Verse Elements In The MenschheitsdÃ?mmerung ""; ""1. Conventional Verse Elements ""; ""2. The Use Of The Stanza In The MenschheitsdÃ?mmerung ""; ""3. The Use Of Meter In The MenschheitsdÃ?mmerung ""; ""4. The Use Of Rhyme, Assonance And Alliteration In The MenschheitsdÃ?mmerung ""; ""Iv. Interpretive Guidelines ""; ""1. The Use Of Formal Elements In Expressionist Lyrics ""; ""2. Some Popular Verse Elements And Verse Forms ""

    ""3. The Formal Principle Of Unresolved Tension """"4. Perspective: Post-Expressionist Formal Tendencies ""; ""Bibliography ""; ""Key To Poem Numbers And Index ""
  2. The look of things
    poetry and vision around 1900
    Autor*in: Strathausen, Carsten
    Erschienen: 2003
    Verlag:  University of North Carolina Press, Chapel Hill

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0807863238; 9780807863237; 0807881260; 9780807881262
    Schriftenreihe: University of North Carolina studies in the Germanic languages and literatures ; no. 126
    Schlagworte: Poésie allemande / 20e siècle / Histoire et critique; Poésie allemande / 19e siècle / Histoire et critique; Esthétisme (Littérature); POETRY / Continental European; Beeldende kunsten; Esthetica; Letterkunde; Duits; Aestheticism (Literature); German poetry; Deutsch; Kunst; Literatur; Ästhetik; German poetry; German poetry; Aestheticism (Literature); Lyrik
    Weitere Schlagworte: Rilke, Rainer Maria / 1875-1926; Hofmannsthal, Hugo von / 1874-1929; George, Stefan Anton / 1868-1933; Rilke, Rainer Maria / 1875-1926 / Critique et interprétation; Hofmannsthal, Hugo von / 1874-1929 / Critique et interprétation; George, Stefan Anton / 1868-1933 / Critique et interprétation; George, Stefan / 1868-1933; Hofmannsthal, Hugo von / 1874-1929; Rilke, Rainer Maria / 1875-1926; Rilke, Rainer Maria (1875-1926); Hofmannsthal, Hugo von (1874-1929); George, Stefan (1868-1933); Hofmannsthal, Hugo von (1874-1929); George, Stefan (1868-1933); Rilke, Rainer Maria (1875-1926)
    Umfang: 1 Online-Ressource (321 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [297]-309) and index

    Speaking gaze of modernity -- - Intuition and language -- - Aestheticism, romanticism, and the body of language -- - Hofmannsthal and the voice of language -- - Rilke's stereoscopic vision -- - Other as same: the politics of the George Circle

    Examining the relationship between German poetry, philosophy and visual media around 1900, the author argues that the poetic works of Rilke, von Hofmannsthal and George focused on the visible gestalt of language as a means of competing with the increasing popularity of photography and film
  3. The look of things
    poetry and vision around 1900
    Autor*in: Strathausen, Carsten
    Erschienen: 2003
    Verlag:  University of North Carolina Press, Chapel Hill

    "Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language... mehr

     

    "Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film." "Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world."--Jacket

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format