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  1. The Internet unconscious
    on the subject of electronic literature
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York

    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not a book setting out methods of reading and understanding. The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to CAPTCHA and Facebook; 2) as a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) as a project engaged by a subject, a commitment of the writers' body to the work of the net. The Internet Unconscious describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"..

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501320019; 9781628923407; 9781628923391; 9781501304545
    Weitere Identifier:
    RVK Klassifikation: EC 8795 ; AP 15950
    Schriftenreihe: International texts in critical media aesthetics ; vol. 9
    Schlagworte: SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Online authorship; Hypertext literature; Literature and the Internet; SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Internetliteratur; Medienästhetik; Internet; Social Media; Literatur
    Umfang: 1 Online-Ressource (xi, 187 Seiten)
    Bemerkung(en):

    Includes bibliographical references (pages 176-184) and index

  2. Writing and editing for digital media
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367245054; 9780367245092
    RVK Klassifikation: EC 8795 ; AK 39950 ; AP 15942 ; AP 15860 ; AP 15900
    Auflage/Ausgabe: Fourth edition
    Schlagworte: Textproduktion; Neue Medien; Edition
    Weitere Schlagworte: Online authorship; Online journalism
    Umfang: XIII, 375 Seiten, Illustrationen, Diagramme, 24 cm
  3. The Internet unconscious
    on the subject of electronic literature
    Erschienen: 2015
    Verlag:  Bloomsbury, New York [u.a.]

    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not a book setting out methods of reading and understanding. The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to CAPTCHA and Facebook; 2) as a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) as a project engaged by a subject, a commitment of the writers' body to the work of the net. The Internet Unconscious describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"..

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781628923384; 9781501320019; 9781628923407; 9781628923391
    RVK Klassifikation: EC 8795 ; AP 15950
    Schriftenreihe: International texts in critical media aesthetics ; vol. 9
    Schlagworte: SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Online authorship; Hypertext literature; Literature and the Internet; SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Internetliteratur; Medienästhetik; Internet; Social Media; Literatur
    Umfang: XI, 187 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 176-184) and index

  4. Literature in the digital age
    an introduction
    Autor*in: Hammond, Adam
    Erschienen: [2016]; © 2016
    Verlag:  Cambridge University Press, Cambridge

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität der Künste Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107041905; 9781107615076; 1107041902; 1107615070
    RVK Klassifikation: ES 685 ; EC 8795
    Auflage/Ausgabe: First published
    Schlagworte: Literature, Modern / History and criticism / Theory, etc / 21st century; Information theory in literature; Literature and the Internet; Online authorship; Computer literacy; Hypertext literature / History and criticism; Internetliteratur; Neue Medien; Literatur
    Umfang: XX, 233 Seiten, Illustrationen, Diagramme, 23 cm
  5. Genres in the internet
    issues in the theory of genre
    Autor*in:
    Erschienen: 2009
    Verlag:  Benjamins, Amsterdam [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TU Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Giltrow, Janet (Sonstige)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789027254337; 9789027289384
    RVK Klassifikation: EC 8795 ; ET 760 ; ER 990
    Schriftenreihe: Pragmatics & beyond : New series ; 188
    Schlagworte: Communicatie; Internet; Tekstsoorten; Weblogs; Kommunikation; Online authorship; Literary form; Internet; Textsorte; Gattungstheorie
    Umfang: VI, 294 S., Ill., graph. Darst.
  6. New narratives
    stories and storytelling in the digital age
    Autor*in:
    Erschienen: 2011
    Verlag:  University of Nebraska Press, Lincoln ; London

    Universität der Künste Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Page, Ruth E. (Herausgeber); Thomas, Bronwen (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780803217867; 0803217862
    RVK Klassifikation: AP 11800 ; EC 8795
    Schriftenreihe: Frontiers of narrative
    Schlagworte: Massenmedien; Mass media; Narration (Rhetoric); Discourse analysis, Narrative; Online authorship; Erzähltheorie; Neue Medien
    Umfang: VIII, 285 Seiten, Illustrationen, Diagramme, 23 cm
  7. Genres in the Internet
    Issues in the theory of genre
    Erschienen: 2009; ©2009.
    Verlag:  John Benjamins Publishing Company, Amsterdam

    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this volume meet on common ground staked by Internet communication: an arena challenging to traditional ideas of genre which assume a conventional stability at odds with the unceasing innovations of online discourse. Drawing on and developing new ideas of genre, the research reported in this volume shows, on the contrary, that genre study is a powerful means of testing commonplaces about the Internet world and, in turn, that the Internet is a fertile field for theorising genre. Genres in the Internet -- Editiorial page -- Title page -- LCC data -- Table of contents -- List of contributors -- Preface -- Genres in the Internet -- 1. Issues in defining genre -- 2. How are Internet genres different from written and spoken genres? -- 3. This collection -- References -- Re-fusing form in genre study -- 1. Introduction -- 2. Fusing form into action -- 3. Contextualizing form into utterances -- 4. Sketching four principles of form in generic practice -- 4.1 The forms of genres are meaningful only within their full contexts-cultural, social, and individual -- 4.2 The forms of genres range widely and cannot be pinned down with closed or static descriptions -- 4.3 The forms of genres vary with each unique instance of the genre, but unique instances share common generic forms -- 4.4 The forms of genres are inter-genre-al, interacting with forms of other genres -- 5. Concluding in a different form -- References -- Lies at Wal-Mart -- 1. (Ab)usability as an indicator of genre -- 2. Personal blogs, corporate blogs and the blog prototype -- 3. Life at Wal-Mart: Context and presentation -- 4. Author vs. publisher status -- 5. Thematic and formal classification of posts -- 5.1 The crisis/incident account (A) -- 5.2 The career/life story (B) -- 5.3 The opinion piece (C) -- 5.4 The encounter with Mr. Sam (D) -- 6. Linguistic features and functions -- 6.1 Pronoun use -- 6.2 Tense, aspect and narrativity -- 7. Conclusion -- 8. Index of cited blog entries -- References -- Situating the public social actions of blog posts -- 1. Introduction: Social actions of blog posts -- 2. Theoretical approach: Situational rhetoric, publics, and uptake -- 3. The blog post's negotiation of differently situated exigencies -- 3.1 The post and situational rhetoric -- 3.2 The post and publics -- 3.3 The post and uptake.

     

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    Quelle: Verbundkataloge
    Beteiligt: Stein, Dieter (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027289384
    RVK Klassifikation: EC 8800
    Schlagworte: Electronic books ; local; Literary form; Online authorship; Electronic books
    Umfang: 1 online resource (310 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  8. Literature in the digital age
    an introduction
    Autor*in: Hammond, Adam
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge, New York,NY

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107615076; 9781107041905
    Weitere Identifier:
    9781107615076
    RVK Klassifikation: HG 130 ; ES 685 ; EC 8795
    Schlagworte: Literature, Modern; Information theory in literature; Literature and the Internet; Online authorship; Computer literacy; Hypertext literature; Literature, Modern; Information theory in literature; Literature and the Internet; Online authorship; Computer literacy; Hypertext literature
    Umfang: xx, 233 Seiten, Illustrationen, Diagramme
    Bemerkung(en):

    Includes bibliographical references and index

  9. The Bloomsbury handbook of electronic literature
    Autor*in:
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London ; Bloomsbury Publishing, New York

    "Covering foundational theory, new media contexts and digital creative practice and with chapters by leading international scholars, this is the first authoritative reference handbook to the field of electronic literature"-- "The digital age has had... mehr

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    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Covering foundational theory, new media contexts and digital creative practice and with chapters by leading international scholars, this is the first authoritative reference handbook to the field of electronic literature"-- "The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and artists from across the world, The Bloomsbury Handbook of Electronic Literature is the first authoritative reference handbook to the field. Crossing disciplinary boundaries, this book explores the foundational theories of the field, contemporary artistic practices, debates and controversies surrounding such key concepts as canonicity, world systems, narrative and the digital humanities, and historical developments and new media contexts of contemporary electronic literature. Including guides to major publications in the field, The Bloomsbury Handbook of Electronic Literature is an essential resource for scholars of contemporary culture in the digital era. "-- pt. 1. Ends, beginnings -- pt. 2. Poetics, polemics -- pt. 3. Materialities, ontologies -- pt. 4. Economies, precarities

     

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    Quelle: Verbundkataloge
    Beteiligt: Tabbi, Joseph (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474230285; 9781474230278; 9781474230261
    Weitere Identifier:
    Schlagworte: Literature and the Internet; Postmodernism (Literature); Online authorship; Literature and technology; Digital humanities; Hypertext literature; Postmodernism (Literature); Online authorship; Hypertext literature; Literature and technology; Literature and the Internet; Digital humanities
    Umfang: 1 Online-Ressource (xii, 452 p), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  10. The Bloomsbury handbook of electronic literature
    Autor*in:
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London

    "The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and... mehr

    Universitätsbibliothek Braunschweig
    2950-9825
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    68.4° 564
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    "The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and artists from across the world, The Bloomsbury Handbook of Electronic Literature is the first authoritative reference handbook to the field. Crossing disciplinary boundaries, this book explores the foundational theories of the field, contemporary artistic practices, debates and controversies surrounding such key concepts as canonicity, world systems, narrative and the digital humanities, and historical developments and new media contexts of contemporary electronic literature. Including guides to major publications in the field, The Bloomsbury Handbook of Electronic Literature is an essential resource for scholars of contemporary culture in the digital era. "-- "Covering foundational theory, new media contexts and digital creative practice and with chapters by leading international scholars, this is the first authoritative reference handbook to the field of electronic literature"-- Machine generated contents note: -- Introduction -- Part I: Principles -- Actor Networks -- Cybercultures -- Discourse Networks -- Mediations -- Materialities -- Part II: Practices -- Antecedents -- Archivology -- Code -- Games -- Hypertext -- Paratext -- Image/Text/Narrative -- Music/Sound/Noise -- Remixology -- Writing Under Constraint -- Part III: Polemics -- Canons -- Digital Humanities -- Interactivity -- Narrativity -- Objectives, Ontologies -- World Systems -- Part IV: Periodizations -- The Networked Wilderness -- The Rise of Print and the Rise of the Nation State -- Physiocracy, Steampunk and 19th Century Anticipations of the Digital -- Electronic Literature as World Literature -- Postmodern, Posthuman and Postdigital

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel; Herzogin Anna Amalia Bibliothek
    Beteiligt: Tabbi, Joseph (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474230254; 1474230253
    Weitere Identifier:
    9781474230254
    RVK Klassifikation: EC 1820 ; EC 8795
    Schlagworte: Literature and the Internet; Literature and technology; Digital humanities; Online authorship; Hypertext literature; Postmodernism (Literature)
    Umfang: xi, 450 Seiten, Illustrationen
  11. The Internet unconscious
    on the subject of electronic literature
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York, NY [u.a.]

    "The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 943093
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    ALW:RB:3950:Bal::2015
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to Facebook; 2) a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) a project engaged by a subject, a commitment of the writer' body to the work of the net. It theorizes the practices and materials of net writing as extended surfaces of bodily excitation. Bodily absence leads to delirious, frantic, ecstatic writing towards the other beyond the net. By contrast, Sandy Baldwin's book describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"-- "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not a book setting out methods of reading and understanding. The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to CAPTCHA and Facebook; 2) as a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) as a project engaged by a subject, a commitment of the writers' body to the work of the net. The Internet Unconscious describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781628923384
    RVK Klassifikation: AP 15950 ; EC 8795
    Schriftenreihe: International texts in critical media aesthetics ; vol. 9
    Schlagworte: Online authorship; Hypertext literature; Literature and the Internet
    Umfang: xi, 187 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 176-184) and index

    Machine generated contents note: IntroductionForeword by Francisco J. Ricardo -- I. As if I wrote the Internet ; The Great Beyond ; Weapon body ; Crust -- II. For example ; oooo ooooooooo ; OMG LOL ; Leet or 1337 -- III. Survivable Communication ; Ping Poetics ; Traceroute ; Urgent interruption ; Somatolysis -- IV. Lovers of Literature ; Handshakes ; Binding the Subject ;Chmod - 777 ; Read/Write/Execute -- V. Consumed by the net ; The Crowd of Electronic Writers ; Debts and Obligations ; Axiomatics ; The Literary Community -- VI. I read my spam ; PLEASE REPLY MY BELOVED ; CAN SPAM ; The End of Spam ; End-to-End -- VII. Logging in and getting off ; CAPTCHA ; Taking the Test ; The difference thought makes -- VIII. Plaintext ; March 11, 1968 ; Character and Glyph ; Extreme Rendition ; Plaintext Performance ; One Time Pad ; Friend Request -- IX. Bodies never touch ; Pervy Intimate Avatars ; Passion of the Avatar, Avatar of Passion.

  12. Autorschaft und digitale Literatur
    Geschichte, Medienpraxis und Theoriebildung
    Erschienen: [2015]; © 2015
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    A 2016/9505
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    2018.04472:1
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    EC 8795 Z73
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    Quelle: Herzogin Anna Amalia Bibliothek
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783868216172
    RVK Klassifikation: EC 2200 ; AP 18420 ; HN 1401 ; EC 8795
    Schriftenreihe: WVT-Handbücher und Studien zur Medienkulturwissenschaft ; Band 11
    Schlagworte: Literature, Modern; Literature and the Internet; Authorship in literature; Online authorship
    Umfang: XVI, 274 Seiten, Illustrationen (teilweise farbig), Diagramme, 23 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 255-270

    Dissertation erschienen unter dem Titel: Rekonfigurationen des textuellen Handlungsraums digitaler Literatur unter besonderer Berücksichtigung der Autorschaft: Geschichte, theoretische Ansprüche und deren Wechselwirkungen in der digitalen Medienpraxis

    Dissertation, Universität Trier, 2012

  13. The personal weblog
    a linguistic history
    Erschienen: [2016]
    Verlag:  Peter Lang Edition, Frankfurt am Main

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Hildesheim
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    Sprache: Englisch
    Medientyp: Dissertation
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    ISBN: 9783631662748
    RVK Klassifikation: GO 20950 ; HF 342 ; ET 785
    Schriftenreihe: Language and text studies ; Volume 14
    Schlagworte: Historical linguistics; Linguistics; Internet; Online authorship; Corpora (Linguistics)
    Weitere Schlagworte: Schildhauer, Peter (1986-)
    Umfang: 307 Seiten, Diagramme, Illustrationen (teilweise farbig)
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    Literaturverzeichnis: Seite 292-307

    Originally published as: "Textsorten im Internet zwischen Wandel und Konstanz", 2014

    Dissertation, Martin-Luther-Universität Halle-Wittenberg, 2014

  14. Heteroglossia online
    translocal processes of meaning-making in Facebook posts
    Erschienen: [2017]; © 2017
    Verlag:  Peter Lang Edition, Frankfurt am Main

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    Schriftenreihe: Sprachkönnen und Sprachbewusstheit in Europa / Language Competence and Language Awareness in Europe ; Bd./VOL. 8
    Schlagworte: Languages in contact; Discourse analysis; Facebook (Electronic resource); Semantics; Online authorship
    Umfang: 284 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 263-283

    Dissertation, Ernst-Moritz-Arndt-Universität Greifswald, 2016

    Dissertation, ,

  15. Literature in the digital age
    an introduction
    Autor*in: Hammond, Adam
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge, New York,NY

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    ISBN: 9781107615076; 9781107041905
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    RVK Klassifikation: HG 130 ; ES 685 ; EC 8795
    Schlagworte: Literature, Modern; Information theory in literature; Literature and the Internet; Online authorship; Computer literacy; Hypertext literature; Literature, Modern; Information theory in literature; Literature and the Internet; Online authorship; Computer literacy; Hypertext literature
    Umfang: xx, 233 Seiten, Illustrationen, Diagramme
    Bemerkung(en):

    Includes bibliographical references and index

  16. Genres in the Internet
    Issues in the theory of genre
    Erschienen: 2009; ©2009.
    Verlag:  John Benjamins Publishing Company, Amsterdam

    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this... mehr

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    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this volume meet on common ground staked by Internet communication: an arena challenging to traditional ideas of genre which assume a conventional stability at odds with the unceasing innovations of online discourse. Drawing on and developing new ideas of genre, the research reported in this volume shows, on the contrary, that genre study is a powerful means of testing commonplaces about the Internet world and, in turn, that the Internet is a fertile field for theorising genre. Genres in the Internet -- Editiorial page -- Title page -- LCC data -- Table of contents -- List of contributors -- Preface -- Genres in the Internet -- 1. Issues in defining genre -- 2. How are Internet genres different from written and spoken genres? -- 3. This collection -- References -- Re-fusing form in genre study -- 1. Introduction -- 2. Fusing form into action -- 3. Contextualizing form into utterances -- 4. Sketching four principles of form in generic practice -- 4.1 The forms of genres are meaningful only within their full contexts-cultural, social, and individual -- 4.2 The forms of genres range widely and cannot be pinned down with closed or static descriptions -- 4.3 The forms of genres vary with each unique instance of the genre, but unique instances share common generic forms -- 4.4 The forms of genres are inter-genre-al, interacting with forms of other genres -- 5. Concluding in a different form -- References -- Lies at Wal-Mart -- 1. (Ab)usability as an indicator of genre -- 2. Personal blogs, corporate blogs and the blog prototype -- 3. Life at Wal-Mart: Context and presentation -- 4. Author vs. publisher status -- 5. Thematic and formal classification of posts -- 5.1 The crisis/incident account (A) -- 5.2 The career/life story (B) -- 5.3 The opinion piece (C) -- 5.4 The encounter with Mr. Sam (D) -- 6. Linguistic features and functions -- 6.1 Pronoun use -- 6.2 Tense, aspect and narrativity -- 7. Conclusion -- 8. Index of cited blog entries -- References -- Situating the public social actions of blog posts -- 1. Introduction: Social actions of blog posts -- 2. Theoretical approach: Situational rhetoric, publics, and uptake -- 3. The blog post's negotiation of differently situated exigencies -- 3.1 The post and situational rhetoric -- 3.2 The post and publics -- 3.3 The post and uptake.

     

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    Quelle: Verbundkataloge
    Beteiligt: Stein, Dieter (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027289384
    RVK Klassifikation: EC 8800
    Schlagworte: Electronic books ; local; Literary form; Online authorship; Electronic books
    Umfang: 1 online resource (310 pages)
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    Description based on publisher supplied metadata and other sources

  17. Post-Digital
    Critical Debates from the electronic book review - Volume 2
    Autor*in:
    Erschienen: 2019; ©2019
    Verlag:  Bloomsbury, London

    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions... mehr

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    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions from the pioneering journal electronic book review, this 2-volume set also includes new responses chronicling more recent developments in the field since the original articles, a substantial introduction surveying the long history of thinking about the digital and a comprehensive bibliography of further reading"-- 06 electropoetics Introduction: The Body as a Writing Instrument - Davin Heckman Engineering Cyborg Ideology - N. Katherine Hayles Digital Manipulability and Digital Literature - Serge Bouchardon and Davin Heckman At the Time of Writing: Digital Media, Gesture, and Handwriting - Maria Angel and Anna Gibbs Digital Ekphrasis and the Uncanny: Toward a Poetics of Augmented Reality - Robert P. Fletcher Shuffle Literature and the Hand of Fate - Zuzana Husr̀ov ̀and Nick Montfort -- 07 What (in the World) Was Postmodernism Introduction - David Ciccoricco The Historical Status of Postmodernism under Neoliberalism - Simon During Metaphysics after the Western Wall Has Come Down - Amy Elias I Read Because it is Absurd - Birger Vanwesenbeeck The End - Brian McHale -- Continuings Electronic Literature as Paratextual Construction - Friedrich W. Block ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock - Matthew Kirschenbaum The Heaviness of Light - Eugenio Tisselli Just Not the Future: Electronic Literature After the Fall - Stuart Moulthrop. Volume 2 Introductory Complicity and Resistance: A Critical Mass Interview - David Ciccoricco and Joseph Tabbi (introduction), Marie-Laure Ryan, Jessica Pressman, Mark C. Marino, Rui Torres, Scott Rettberg, Serge Bouchardon Stuart Moulthrop, Matthew Kirschenbaum (Responders) -- 01 Histories of the Future (& Now) Introduction: Monstrosities of the Present - Brooks Sterritt Futures of Electronic Literature - Stephanie Strickland and Marjorie Luesebrink with participants David Jhave Johnston, Amaranth Borsuk, Patrick Lemieux, Natalia Fedorova, Samantha Gorman, Claire Donato Ben Bishop, Stephanie Boluk and Ian Hatcher -- A [S]creed for Digital Fiction - Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Rustad, Jess Laccetti and Jessica Pressman Field Notes from the Future of Publishing - Ed Finn Metadiversity: On the Unavailability of Alternatives to Information - David Golumbia Community of People with No Time - Victoria Vesna with responses from Stephanie Strickland and Victoria Vesna -- 02 Writing Under Constraint Introduction: Less is More - Jan Baetens The Procedural Poetries of Joan Retallack - Brian Lennon More Pixels to the Inch - Thomas Hartl The Sounds of the Artificial Intelligentsia - Mark Amerika Abish's Africa - Louis Bury Constrained Thinking: From Network to Membrane - Paul Harris -- 03 music/sound/noise Introduction: music/sound/noise - Robert Cashin Ryan The Sonic Spectrum - Elise Kermani The Language of Music and Sound - Olivia Block False Pretenses, Parasites, and Monsters - Tom LeClair -- 04 Fictions Present Introduction: Fictions Present - R.M. Berry Making Now - R.M. Berry An Aesthetics of the Unsaid - Andrew Lindquist Amy Hungerford's Making Literature Now - Tom LeClair Post-Wankery: A Review of Infinite Jest - Piotr Siemion Blank Frank - Joseph Tabbi ?And Furthermore?? (i) - R.M. Berry -- ?And Furthermore?? (ii) - Joseph Tabbi The Avant-Garde and the Question of Literature - R.M. Berry R.M. Berry in Conversation with Flore Chvalier -- 05 Critical Ecologies After Posthumanism Introduction: Extra Ordinary Entanglements - Laura Shackelford A New 'Gospel of the Three Dimensions': Expanding the Boundaries of Digital Literature - Lisa Swanstrom Old Orders for New: Ecology, Animal Rights, and the Poverty of Humanism - Cary Wolfe Dali Clocks: Time Dimensions of Hypermedia - Stephanie Strickland.

     

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    Quelle: Verbundkataloge
    Beteiligt: Joseph Tabbi
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474286787; 9781474286763; 9781474286770
    Weitere Identifier:
    Schlagworte: Literature and technology; Digital humanities; Online authorship; Postmodernism (Literature); Hypertext literature; Literature and the Internet; Literary studies: from c 1900 -
    Umfang: 1 Online-Ressource
  18. The Internet unconscious
    on the subject of electronic literature
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York, NY [u.a.]

    "The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked... mehr

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    "The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to Facebook; 2) a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) a project engaged by a subject, a commitment of the writer' body to the work of the net. It theorizes the practices and materials of net writing as extended surfaces of bodily excitation. Bodily absence leads to delirious, frantic, ecstatic writing towards the other beyond the net. By contrast, Sandy Baldwin's book describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"-- "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not a book setting out methods of reading and understanding. The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to CAPTCHA and Facebook; 2) as a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) as a project engaged by a subject, a commitment of the writers' body to the work of the net. The Internet Unconscious describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary."-- Machine generated contents note: Introduction -- Foreword by Francisco J. Ricardo -- I. As if I wrote the Internet ; The Great Beyond ; Weapon body ; Crust -- II. For example ; oooo ooooooooo ; OMG LOL ; Leet or 1337 -- III. Survivable Communication ; Ping Poetics ; Traceroute ; Urgent interruption ; Somatolysis -- IV. Lovers of Literature ; Handshakes ; Binding the Subject ;Chmod - 777 ; Read/Write/Execute -- V. Consumed by the net ; The Crowd of Electronic Writers ; Debts and Obligations ; Axiomatics ; The Literary Community -- VI. I read my spam ; PLEASE REPLY MY BELOVED ; CAN SPAM ; The End of Spam ; End-to-End -- VII. Logging in and getting off ; CAPTCHA ; Taking the Test ; The difference thought makes -- VIII. Plaintext ; March 11, 1968 ; Character and Glyph ; Extreme Rendition ; Plaintext Performance ; One Time Pad ; Friend Request -- IX. Bodies never touch ; Pervy Intimate Avatars ; Passion of the Avatar, Avatar of Passion.

     

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    Medientyp: Ebook
    Format: Online
    ISBN: 9781501304545 (online); 9781501304545
    Weitere Identifier:
    RVK Klassifikation: AP 15950 ; EC 8795
    Schriftenreihe: International texts in critical media aesthetics ; vol. 9
    Schlagworte: Literature and the Internet; Online authorship; Hypertext literature
    Bemerkung(en):

    Includes bibliographical references (pages 176-184) and index

  19. Genres in the internet
    issues in the theory of genre
    Autor*in:
    Erschienen: [2009]; © 2009
    Verlag:  John Benjamins Publishing Company, Amsterdam

    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this... mehr

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    keine Fernleihe
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    ebook
    keine Fernleihe

     

    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this volume meet on common ground staked by Internet communication: an arena challenging to traditional ideas of genre which assume a conventional stability at odds with the unceasing innovations of online discourse. Drawing on and developing new ideas of genre, the research reported in this volume shows, on the contrary, that genre study is a powerful means of testing commonplaces about the Internet world and, in turn, that the Internet is a fertile field for theorising genre. Genres in the Internet -- Editiorial page -- Title page -- LCC data -- Table of contents -- List of contributors -- Preface -- Genres in the Internet -- 1. Issues in defining genre -- 2. How are Internet genres different from written and spoken genres? -- 3. This collection -- References -- Re-fusing form in genre study -- 1. Introduction -- 2. Fusing form into action -- 3. Contextualizing form into utterances -- 4. Sketching four principles of form in generic practice -- 4.1 The forms of genres are meaningful only within their full contexts-cultural, social, and individual -- 4.2 The forms of genres range widely and cannot be pinned down with closed or static descriptions -- 4.3 The forms of genres vary with each unique instance of the genre, but unique instances share common generic forms -- 4.4 The forms of genres are inter-genre-al, interacting with forms of other genres -- 5. Concluding in a different form -- References -- Lies at Wal-Mart -- 1. (Ab)usability as an indicator of genre -- 2. Personal blogs, corporate blogs and the blog prototype -- 3. Life at Wal-Mart: Context and presentation -- 4. Author vs. publisher status -- 5. Thematic and formal classification of posts -- 5.1 The crisis/incident account (A) -- 5.2 The career/life story (B) -- 5.3 The opinion piece (C) -- 5.4 The encounter with Mr. Sam (D) -- 6. Linguistic features and functions -- 6.1 Pronoun use -- 6.2 Tense, aspect and narrativity -- 7. Conclusion -- 8. Index of cited blog entries -- References -- Situating the public social actions of blog posts -- 1. Introduction: Social actions of blog posts -- 2. Theoretical approach: Situational rhetoric, publics, and uptake -- 3. The blog post's negotiation of differently situated exigencies -- 3.1 The post and situational rhetoric -- 3.2 The post and publics -- 3.3 The post and uptake.

     

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    Beteiligt: Giltrow, Janet (HerausgeberIn); Stein, Dieter (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027289384
    Weitere Identifier:
    RVK Klassifikation: EC 8800
    Schriftenreihe: Pragmatics & Beyond New Series ; volume 188
    Schlagworte: Electronic books ; local; Literary form; Online authorship; Electronic books
    Umfang: 1 Online-Ressource (VI, 294 Seiten)
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    Description based on publisher supplied metadata and other sources

  20. Autorschaft und digitale Literatur
    Geschichte, Medienpraxis und Theoriebildung
    Erschienen: [2015]; © 2015
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783868216172
    RVK Klassifikation: EC 2200 ; AP 18420 ; HN 1401 ; EC 8795
    Schriftenreihe: WVT-Handbücher und Studien zur Medienkulturwissenschaft ; Band 11
    Schlagworte: Literature, Modern; Literature and the Internet; Authorship in literature; Online authorship
    Umfang: XVI, 274 Seiten, Illustrationen (teilweise farbig), Diagramme, 23 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 255-270

    Dissertation erschienen unter dem Titel: Rekonfigurationen des textuellen Handlungsraums digitaler Literatur unter besonderer Berücksichtigung der Autorschaft: Geschichte, theoretische Ansprüche und deren Wechselwirkungen in der digitalen Medienpraxis

    Dissertation, Universität Trier, 2012

  21. Writing and editing for digital media
    Erschienen: 2014
    Verlag:  Routledge, New York [u.a.]

    Hochschule für Fernsehen und Film, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Hochschule für angewandte Wissenschaften Neu-Ulm, Hochschulbibliothek
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    Medientyp: Buch (Monographie)
    ISBN: 9780415729789; 9780415729796; 9781315850818
    Auflage/Ausgabe: 2nd. ed., 1. publ.
    Schlagworte: Online authorship; Online journalism; LANGUAGE ARTS & DISCIPLINES / Journalism; SOCIAL SCIENCE / Media Studies; Online authorship; Online journalism; Textproduktion; Neue Medien; Edition
    Umfang: xiii, 332 pages, zahlr. Ill., graph. Darst., 23 cm
    Bemerkung(en):

    Revised and updated edition of: Writing for digital media. 2010

    Includes bibliographical references and index

  22. The Internet unconscious
    on the subject of electronic literature
    Erschienen: 2015
    Verlag:  Bloomsbury, New York [u.a.]

    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not... mehr

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    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not a book setting out methods of reading and understanding. The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to CAPTCHA and Facebook; 2) as a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) as a project engaged by a subject, a commitment of the writers' body to the work of the net. The Internet Unconscious describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"..

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781628923384; 9781501320019; 9781628923407; 9781628923391
    RVK Klassifikation: EC 8795 ; AP 15950
    Schriftenreihe: International texts in critical media aesthetics ; vol. 9
    Schlagworte: SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Online authorship; Hypertext literature; Literature and the Internet; SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Internetliteratur; Medienästhetik; Internet; Social Media; Literatur
    Umfang: XI, 187 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 176-184) and index

  23. Literature in the digital age
    an introduction
    Autor*in: Hammond, Adam
    Erschienen: [2016]; © 2016
    Verlag:  Cambridge University Press, Cambridge

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107041905; 9781107615076; 1107041902; 1107615070
    RVK Klassifikation: ES 685 ; EC 8795
    Auflage/Ausgabe: First published
    Schlagworte: Literature, Modern / History and criticism / Theory, etc / 21st century; Information theory in literature; Literature and the Internet; Online authorship; Computer literacy; Hypertext literature / History and criticism; Internetliteratur; Neue Medien; Literatur
    Umfang: XX, 233 Seiten, Illustrationen, Diagramme, 23 cm
  24. Post-digital, Volume 2
    dialogues and debates from Electronic book review
    Autor*in:
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London, UK ; Bloomsbury Publishing, London

    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions... mehr

    Bayerische Staatsbibliothek
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    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions from the pioneering journal electronic book review, this 2-volume set also includes new responses chronicling more recent developments in the field since the original articles, a substantial introduction surveying the long history of thinking about the digital and a comprehensive bibliography of further reading"--

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Tabbi, Joseph
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474286787
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: Literary studies: from c 1900 - / bicssc; Literature and the Internet; Literature and technology; Digital humanities; Online authorship; Postmodernism (Literature); Hypertext literature / History and criticism
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (viii, 443 Seiten), illustrations
    Bemerkung(en):

    Includes bibliographical references

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    :

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  25. The Internet unconscious
    on the subject of electronic literature
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York

    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not... mehr

    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not a book setting out methods of reading and understanding. The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to CAPTCHA and Facebook; 2) as a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) as a project engaged by a subject, a commitment of the writers' body to the work of the net. The Internet Unconscious describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"..

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501320019; 9781628923407; 9781628923391
    RVK Klassifikation: EC 8795 ; AP 15950
    Auflage/Ausgabe: Paperback edition
    Schriftenreihe: International texts in critical media aesthetics ; vol. 9
    Schlagworte: SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Online authorship; Hypertext literature; Literature and the Internet; SOCIAL SCIENCE / Media Studies; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; TECHNOLOGY & ENGINEERING / General; Literatur; Social Media; Internet; Internetliteratur; Medienästhetik
    Umfang: xi, 187 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 176-184) and index