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  1. A Gorgon's mask
    the mother in Thomas Mann's fiction
    Erschienen: 2005
    Verlag:  Rodolpi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1417591196; 9781417591190; 9789401201827; 940120182X; 9042017457; 9789042017450
    Schriftenreihe: Psychoanalyse en cultuur ; 12
    Schlagworte: Mothers / psychology; Medicine in Literature; Psychoanalytic Theory; Literature; Mères / Psychologie; Mères dans la littérature; Grotesque dans la littérature; Médecine dans la littérature; Psychanalyse; LITERARY CRITICISM / European / German; Grotesque in literature; Mothers in literature; Psychology; Literatur; Mothers in literature; Grotesque in literature; Mutter <Motiv>; Psychoanalyse
    Weitere Schlagworte: Mann, Thomas / 1875-1955; Mann, Thomas / 1875-1955 / Critique et interprétation; Mann, Thomas / 1875-1955 / Psychologie; Mann, Thomas / 1875-1955; Mann, Thomas (1875-1955); Mann, Thomas (1875-1955); Mann, Thomas (1875-1955)
    Umfang: 1 Online-Ressource (435 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Table of Contents; Acknowledgements; I. Introduction; II. Early Works; III. The Magic Mountain; IV. Mann meets Freud; V. Joseph and His Brothers; VI. Doctor Faustus; VII. The Holy Sinner; VIII. Conclusion; Bibliography; Index

    The thesis of A Gorgon's mask: The Mother in Thomas Mann's Fiction depends upon three psychoanalytic concepts: Freud's early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich's analysis of the grotesque-comic sublimation, and Edmund Bergler's analysis of writer's block. Mann's crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother's notice. But to defend himself