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  1. The impossible exile
    Stefan Zweig at the end of the world
    Erschienen: [2014]
    Verlag:  Other Press, New York

    Zusammenfassung: By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a... mehr

     

    Zusammenfassung: By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler's rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile--from London to Bath to New York City, then Ossining, Rio, and finally Petropolis--where, in 1942, in a cramped bungalow, he killed himself. "The impossible exile" tells the tragic story of Zweig's extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era--the implosion of Europe as an ideal of Western civilization

     

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  2. Traces of trauma in W.G. Sebald and Christoph Ransmayr
    Autor*in: Osborne, Dora
    Erschienen: 2013
    Verlag:  Legenda, London

    Zusammenfassung: Both W.G. Sebald (1944-2001) and the Austrian author Christoph Ransmayr (1954-) were born too late to know directly the violence of the Second World War and the Holocaust, but these traumatic events are a persistent presence in their... mehr

     

    Zusammenfassung: Both W.G. Sebald (1944-2001) and the Austrian author Christoph Ransmayr (1954-) were born too late to know directly the violence of the Second World War and the Holocaust, but these traumatic events are a persistent presence in their work. In a series of close readings of key prose texts, Dora Osborne examines the different ways in which the traces of a traumatic past mark their narratives. By focusing on the authors' use of visual and topographical tropes, she shows how blind spots and inhospitable places configure signs of past violence, but, ultimately, resist our understanding. Whilst links between the two authors are well-documented, this book offers the first full-length study of Sebald and Ransmayr and their complicated relation to the traumatic traces of National Socialism. - from book cover

     

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