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  1. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the... mehr

     

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher.

     
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  2. The chain of things
    divinatory magic and the practice of reading in German literature and thought, 1850-1940
    Autor*in: Downing, Eric
    Erschienen: [2018]
    Verlag:  Cornell University Press and Cornell University Library, Ithaca

    "Shows how the connection between divinatory magic and reading shaped the experience of reading and aesthetics among nineteenth-century realists and modernist thinkers, including writers, artists, and critics such as Gottfried Keller, Theodor... mehr

     

    "Shows how the connection between divinatory magic and reading shaped the experience of reading and aesthetics among nineteenth-century realists and modernist thinkers, including writers, artists, and critics such as Gottfried Keller, Theodor Fontane, and Walter Benjamin"

     
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  3. German song onstage
    Lieder performance in the nineteenth and early twentieth centuries
    Autor*in:
    Erschienen: [2020]
    Verlag:  Indiana University Press, Bloomington, Indiana

    Zusammenfassung: "A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the... mehr

     

    Zusammenfassung: "A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods-including the United States, the United Kingdom, Russia, and Germany-from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today"--(Provided by publisher.)

     
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    Quelle: Verbundkataloge
    Beteiligt: Loges, Natasha (Herausgeber); Tunbridge, Laura (Herausgeber)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9780253047007; 0253047005; 9780253047014; 0253047013
    Körperschaften/Kongresse: German song onstage 1770-1914 (2016, London)
    Schlagworte: Deutsch; Kunstlied; Aufführung; Aufführung; Deutsch; Kunstlied
    Weitere Schlagworte: (fast)1800-1999; (lcsh)Songs, German--19th century--History and criticism.; (lcsh)Songs, German--20th century--History and criticism.; (lcsh)Songs, German--Performances.; (fast)Songs, German.; (fast)Criticism, interpretation, etc
    Umfang: vii, 292 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Bemerkung(en):

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  4. Women, emancipation and the German novel 1871-1910
    protest fiction in its cultural context
    Autor*in: Woodford, Charlotte
    Erschienen: 2014
    Verlag:  Legenda, London

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  5. The near and distant god
    poetry, idealism and religious thought from Hölderlin to Eliot
    Autor*in: Cooper, Ian
    Erschienen: 2008
    Verlag:  Legenda, Modern Humanities Research Association and Maney Publishing, London

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  6. Col de la passante, littérature
    Büchner, Stifter ...
    Autor*in: Hirt, André
    Erschienen: [2015]
    Verlag:  Editions Kimé, Paris

  7. Ambiguous aggression in German realism and beyond
    flirtation, passive aggression, domestic violence
    Autor*in: Nagel, Barbara N.
    Erschienen: [2019]
    Verlag:  Bloomsbury Academic, New York, NY

    Zusammenfassung: "Our main words defining emotional states suggest that we have clarity about them: expressions like 'love', 'hatred', 'anxiety', or 'sorrow' seem clear enough. The reality, however, tends to be more complicated. We are often faced... mehr

     

    Zusammenfassung: "Our main words defining emotional states suggest that we have clarity about them: expressions like 'love', 'hatred', 'anxiety', or 'sorrow' seem clear enough. The reality, however, tends to be more complicated. We are often faced with gestures and utterances that are difficult to interpret and thus find ourselves wondering about the affective force of what has just been said: "Was that an insult?" "Flirtation?" "Aggression?" Ambiguous Aggression looks at three interlocking forms of social violence - flirtation, passive aggression, and domestic violence. In order to understand their circulation, it traces their literary-historical genealogy in German realism and modernism - in scenes from Annette von Droste-Hülshoff, Adalbert Stifter, Theodor Storm, Theodor Fontane, Robert Walser, and Franz Kafka, covering a historical period from the middle of the 19th century to the early decades of the 20th century. Reading realist and modernist literature through 21st -century affect theory and vice versa, the analyses collected in this book show the deep literary history of our current cultural predicaments and predilections." --(Provided by publisher.)

     
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