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  1. The criminal Baroque
    lawbreaking, peacekeeping, and theatricality in early modern Spain
    Autor*in: Bergman, Ted Lars Lennard
    Erschienen: 2021
    Verlag:  Tamesis, Woodbridge

    Early Modern Spanish theatre is viewed by many scholars as entertaining propaganda that channelled the emotions and beliefs of the masses into mechanisms for social control. This book identifies the limitations of this model and how its deficiencies... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 3635
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2021 A 8630
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    71.1815
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Early Modern Spanish theatre is viewed by many scholars as entertaining propaganda that channelled the emotions and beliefs of the masses into mechanisms for social control. This book identifies the limitations of this model and how its deficiencies become evident when we examine the portrayal of criminal heroes on stage, as well as in spectacular public displays of law enforcement outside the playhouse. Bergman's main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day.The book is structured in a way that moves between analyses of theatre, crime, and law enforcement while covering the intersections between these three phenomena. The author's main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated

     
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