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  1. Emotion in Old Norse literature
    translations, voices, contexts
    Autor*in: Sif Ríkharðsdóttir
    Erschienen: 2017
    Verlag:  Boydell & Brewer, Suffolk

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately never real or actual, but a figment of a text, a fictive reality created out of words? How does one reconcile interiority - a presumed modern conceptualisation - with medieval emotionality? The volume seeks to address these questions. It positions itself within the larger context of the history of emotion, offering a novel approach to the study of literary representations of emotionality and its staging through voice, performativity and narrative manipulation, probing how emotions are encoded in texts. The author argues that the deceptively laconic portrayal of emotion in the Icelandic sagas and other literature reveals an "emotive script" that favours reticence over expressivity and exposes a narrative convention of emotional subterfuge through narrative silences and the masking of emotion. Focusing on the ambivalent borders between prose and poetic language, she suggests that poetic vocalisation may provide a literary space within which emotive interiority can be expressed. The volume considers a wide range of Old Norse materials - from translated romances through Eddic poetry and Íslendingasögur (sagas of Icelanders) to indigenous romance. Sif Rikhardsdottir is Professor of Comparative Literature at the University of Iceland and Vice-Chair of the Institute of Research in Literature and Visual Arts

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440746
    Schriftenreihe: Studies in Old Norse literature
    Schlagworte: Old Norse literature; Emotions in literature; Emotions in literature; Old Norse literature ; History and criticism
    Umfang: 1 Online-Ressource (ix, 213 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Jun 2018)
  2. Emotion in Old Norse literature
    translations, voices, contexts
    Autor*in: Sif Ríkharðsdóttir
    Erschienen: 2017
    Verlag:  D. S. Brewer, Cambridge ; JSTOR, New York, NY

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately... mehr

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

     

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately never real or actual, but a figment of a text, a fictive reality created out of words? How does one reconcile interiority -- a presumed modern conceptualisation -- with medieval emotionality? The volume seeks to address these questions. It positions itself within the larger context of the history of emotion, offering a novel approach to the study of literary representations of emotionality and its staging through voice, performativity and narrative manipulation, probing how emotions are encoded in texts. The author argues that the deceptively laconic portrayal of emotion in the Icelandic sagas and other literature reveals an emotive script that favours reticence over expressivity and exposes a narrative convention of emotional subterfuge through narrative silences and the masking of emotion. Focusing on the ambivalent borders between prose and poetic language, she suggests that poetic vocalisation may provide a literary space within which emotive interiority can be expressed. The volume considers a wide range of Old Norse materials -- from translated romances through Eddic poetry and Islendingasogur (sagas of Icelanders) to indigenous romance.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440746; 1787440745
    RVK Klassifikation: GW 5730
    Schriftenreihe: Studies in Old Norse literature,
    Schlagworte: Altnordisch; Literatur; Gefühl <Motiv>
    Umfang: 1 Online-Ressource (ix, 213 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  3. Emotion in Old Norse literature
    translations, voices, contexts
    Autor*in: Sif Ríkharðsdóttir,
    Erschienen: 2017
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately... mehr

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

     

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately never real or actual, but a figment of a text, a fictive reality created out of words? How does one reconcile interiority - a presumed modern conceptualisation - with medieval emotionality? The volume seeks to address these questions. It positions itself within the larger context of the history of emotion, offering a novel approach to the study of literary representations of emotionality and its staging through voice, performativity and narrative manipulation, probing how emotions are encoded in texts. The author argues that the deceptively laconic portrayal of emotion in the Icelandic sagas and other literature reveals an "emotive script" that favours reticence over expressivity and exposes a narrative convention of emotional subterfuge through narrative silences and the masking of emotion. Focusing on the ambivalent borders between prose and poetic language, she suggests that poetic vocalisation may provide a literary space within which emotive interiority can be expressed. The volume considers a wide range of Old Norse materials - from translated romances through Eddic poetry and Íslendingasögur (sagas of Icelanders) to indigenous romance. Sif Rikhardsdottir is Professor of Comparative Literature at the University of Iceland and Vice-Chair of the Institute of Research in Literature and Visual Arts.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440746
    RVK Klassifikation: GW 5730
    Schriftenreihe: Studies in Old Norse literature
    Schlagworte: Altnordisch; Literatur; Gefühl <Motiv>
    Umfang: 1 Online-Ressource (ix, 213 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Jun 2018)
  4. Emotion in Old Norse literature
    translations, voices, contexts
    Autor*in: Sif Ríkharðsdóttir
    Erschienen: 2017
    Verlag:  Boydell & Brewer, Suffolk

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Authors throughout history have relied on the emotional make-up of their readers and audiences to make sense of the behaviours and actions of fictive characters. But how can a narrative voice contained in a text evoke feelings that are ultimately never real or actual, but a figment of a text, a fictive reality created out of words? How does one reconcile interiority - a presumed modern conceptualisation - with medieval emotionality? The volume seeks to address these questions. It positions itself within the larger context of the history of emotion, offering a novel approach to the study of literary representations of emotionality and its staging through voice, performativity and narrative manipulation, probing how emotions are encoded in texts. The author argues that the deceptively laconic portrayal of emotion in the Icelandic sagas and other literature reveals an "emotive script" that favours reticence over expressivity and exposes a narrative convention of emotional subterfuge through narrative silences and the masking of emotion. Focusing on the ambivalent borders between prose and poetic language, she suggests that poetic vocalisation may provide a literary space within which emotive interiority can be expressed. The volume considers a wide range of Old Norse materials - from translated romances through Eddic poetry and Íslendingasögur (sagas of Icelanders) to indigenous romance. Sif Rikhardsdottir is Professor of Comparative Literature at the University of Iceland and Vice-Chair of the Institute of Research in Literature and Visual Arts

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440746
    Schriftenreihe: Studies in Old Norse literature
    Schlagworte: Old Norse literature; Emotions in literature; Emotions in literature; Old Norse literature ; History and criticism
    Umfang: 1 Online-Ressource (ix, 213 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Jun 2018)