Beholding violence in medieval and early modern Europe
Autor*in:
Erschienen:
2012
Verlag:
Ashgate, Farnham [u.a.]
Introduction: beholding violence / Erin Felicia Labbie and Allie Terry-Fritsch -- Proof in pierced flesh: Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy / Allie Terry-Fritsch -- Giovanni Pisano's marble wounds:...
mehr
Introduction: beholding violence / Erin Felicia Labbie and Allie Terry-Fritsch -- Proof in pierced flesh: Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy / Allie Terry-Fritsch -- Giovanni Pisano's marble wounds: beholding artistic self-defense in the Pisa Cathedral pulpit / Matthew G. Shoaf -- Beholding and touching: early modern strategies of negotiating illness / Mirella G. Pardee -- The gap of death: passive violence in the encounter between the Three dead and the Three living / Elina Gertsman -- Being beheld: Julian of Norwich's mystical surreal and the violence of vision / Christopher Taylor -- Image in pain: icons, old bones and new blood / Galina Tirnanić -- "To have the pleasure of this siege": envisioning siege warfare during the European wars of religion / Brian Sandberg -- Theatrum mundi: performativity, violence, and metatheatre in Webster's The white devil / Lisa Dickson -- Portia's Pauline perversion: the Merchant of Venice and Romans I / Will Stockton -- Violent passions: plays, pawnbrokers, and the Jews of Rome, 1539 / Barbara Wisch -- Beholding typology: the violence of recognition in Caravaggio's Sacrifice of Isaac / Erin Felicia Labbie
Introduction: beholding violence / Erin Felicia Labbie and Allie Terry-FritschProof in pierced flesh: Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy / Allie Terry-Fritsch
Introduction: beholding violence / Erin Felicia Labbie and Allie Terry-Fritsch
Giovanni Pisano's marble wounds: beholding artistic self-defense in the Pisa Cathedral pulpit / Matthew G. Shoaf
Beholding and touching: early modern strategies of negotiating illness / Mirella G. Pardee
The gap of death: passive violence in the encounter between the Three dead and the Three living / Elina Gertsman
Being beheld: Julian of Norwich's mystical surreal and the violence of vision / Christopher Taylor
Image in pain: icons, old bones and new blood / Galina Tirnanić
"To have the pleasure of this siege": envisioning siege warfare during the European wars of religion / Brian Sandberg
Theatrum mundi: performativity, violence, and metatheatre in Webster's The white devil / Lisa Dickson
Portia's Pauline perversion: the Merchant of Venice and Romans I / Will Stockton
Violent passions: plays, pawnbrokers, and the Jews of Rome, 1539 / Barbara Wisch
Beholding typology: the violence of recognition in Caravaggio's Sacrifice of Isaac / Erin Felicia Labbie.
Proof in pierced flesh: Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy / Allie Terry-Fritsch
Image in pain: icons, old bones and new blood / Galina Tirnanic