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  1. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Erschienen: 2010
    Verlag:  Palgrave Macmillan, New York, NY

    "Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2010 A 12202
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    60.1475
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power. While very different in approach, they all three reject the classical suggestion that fame is bestowed; challenge or nuance the attraction held by the unpredictable goddess; and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. Thus, they shed light on fame's intoxicating but deceptively simple promise of elite glory"--Provided by publisher

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781403970534
    RVK Klassifikation: HH 4033 ; HH 5082 ; IE 5341
    Schriftenreihe: The new Middle Ages
    Schlagworte: Literature, Medieval; Visual perception in literature; Fame in literature; Civilization, Medieval, in literature
    Weitere Schlagworte: René King of Naples and Jerusalem (1409-1480); Chaucer, Geoffrey (-1400): House of fame; Edward Prince of Wales (1330-1376)
    Umfang: XX, 227 S., Ill.
    Bemerkung(en):

    Literaturverz. S. [199] - 222