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  1. The production of books in England 1350 - 1500
    Autor*in:
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge, UK

    "Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and... mehr

     

    "Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best new work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England"--(Provided by publisher.)

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Gillespie, Alexandra (Hrsg.); Wakelin, Daniel,, 1977- (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521889797; 0521889790
    Weitere Identifier:
    sw206884
    Schriftenreihe: Cambridge studies in palaeography and codicology
    Schlagworte: Buchwissenschaft; Buchgestaltung; Buchkunst; Einbandkunde; Handschriftenkunde
    Weitere Schlagworte: (lcsh)Books--England--History--400-1450.; (lcsh)Book industries and trade--England--History--To 1500.; (lcsh)Manuscripts, Medieval--England--History--To 1500.; (lcsh)Scriptoria--England.; (lcsh)Incunabula--England--Bibliography.; (lcsh)Manuscripts, English (Middle)--Bibliography.; (bisacsh)LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Umfang: XX, 375 S., Ill., Kt., 26 cm
    Bemerkung(en):

    Literaturangaben. - Foreword / Derek Pearsall -- Introduction / Alexandra Gillespie and Daniel Wakelin -- 1. Materials / Orietta Da Rold -- 2. Writing the words / Daniel Wakelin -- 3. Mapping the words / Simon Horobin -- 4. Designing the page / Stephen Partridge -- 5. Decorating and illustrating the page / Martha Driver and Michael Orr -- 6. Compiling the book / Margaret Connolly -- 7. Bookbinding / Alexandra Gillespie -- 8. Commercial organization and innovation / Erik Kwakkel -- 9. Vernacular literary manuscripts and their scribes / Linne R. Mooney -- 10. Book production outside commercial contexts / Jean-Pascal Pouzet -- 11. Censorship / Fiona Somerset -- 12. Books beyond England / John Thompson -- 13. English books and the Continent / David Rundle -- Afterword: the book in culture / Wendy Scase.

  2. The production of books in England
    1350 - 1500
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Literaturverz. S. 299 - 350 "Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    2011 B 1636
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    9: 28492/AM:Gil
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    MK Gum. 15
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    Universitätsbibliothek Heidelberg
    2011 C 2141
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    2011 A 7060
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    61a/939
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    AN 18302 G478
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    Herzog August Bibliothek Wolfenbüttel
    61.2079
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    Literaturverz. S. 299 - 350 "Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best new work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Herzog August Bibliothek Wolfenbüttel; Herzogin Anna Amalia Bibliothek
    Beteiligt: Gillespie, Alexandra (Hrsg.); Wakelin, Daniel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521889797; 9781107680197; 0521889790
    Weitere Identifier:
    9780521889797
    RVK Klassifikation: AM 48300
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in palaeography and codicology ; [14]
    Schlagworte: Books; Book industries and trade; Manuscripts, Medieval; Scriptoria; Incunabula; Manuscripts, English (Middle)
    Umfang: XX, 375 S., Ill., 25 cm
    Bemerkung(en):

    Zählung der Serie auf Verlagshomepage

    Machine generated contents note: Foreword Derek Pearsall; Introduction Alexandra Gillespie and Daniel Wakelin; 1. Materials Orietta Da Rold; 2. Writing the words Daniel Wakelin; 3. Mapping the words Simon Horobin; 4. Designing the page Stephen Partridge; 5. Decorating and illustrating the page Martha Driver and Michael Orr; 6. Compiling the book Margaret Connolly; 7. Bookbinding Alexandra Gillespie; 8. Commercial organization and innovation Erik Kwakkel; 9. Vernacular literary manuscripts and their scribes Linne R. Mooney; 10. Book production outside commercial contexts Jean-Pascal Pouzet; 11. Censorship Fiona Somerset; 12. Books beyond England John Thompson; 13. English books and the Continent David Rundle; Afterword: the book in culture Wendy Scase; Bibliography; Manuscript index; Index.