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  1. Protocol
    how control exists after decentralization
    Erschienen: 2004
    Verlag:  MIT Press, Cambridge, Mass.

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    -003-/AP 18420 G174
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sozialwissenschaften und Psychologie (BSP)
    04/MS 7965 G174
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    001 AP 15942 G174 P9
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0262572338; 9780262572330; 0262072475; 9780262072472
    RVK Klassifikation: AP 15860 ; AP 15942 ; AP 18420 ; AP 18600 ; CC 5200 ; ES 900 ; ET 760 ; MS 7965 ; ST 205
    Schriftenreihe: Leonardo
    Schlagworte: Rechnernetz; Kommunikationsprotokoll; Zugriffskontrolle; Internet; Neue Medien; Kultur
    Umfang: XXVI, 260 Seiten, Illustrationen, Diagramme
    Bemerkung(en):

    Includes bibliographical references and index

  2. Protocol
    how control exists after decentralization
    Erschienen: 2004
    Verlag:  MIT Press, Cambridge, Mass.

    How Control Exists after DecentralizationIs the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol, Alexander Galloway argues that the founding... mehr

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    Resolving-System (Lizenzpflichtig)
    Universitätsbibliothek Osnabrück
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    How Control Exists after DecentralizationIs the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol, Alexander Galloway argues that the founding principle of the Net is control, not freedom, and that the controlling power lies in the technical protocols that make network connections (and disconnections) possible. He does this by treating the computer as a textual medium that is based on a technological language, code. Code, he argues, can be subject to the same kind of cultural and literary analysis as any natural language; computer languages have their own syntax, grammar, communities, and cultures. Instead of relying on established theoretical approaches, Galloway finds a new way to write about digital media, drawing on his backgrounds in computer programming and critical theory. "Discipline-hopping is a necessity when it comes to complicated socio-technical topics like protocol," he writes in the preface.Galloway begins by examining the types of protocols that exist, including TCP/IP, DNS, and HTML. He then looks at examples of resistance and subversion--hackers, viruses, cyberfeminism, Internet art--which he views as emblematic of the larger transformations now taking place within digital culture. Written for a nontechnical audience, Protocol serves as a necessary counterpoint to the wildly utopian visions of the Net that were so widespread in earlier days.

     

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