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  1. German film after Germany
    toward a transnational aesthetic
    Autor*in:
    Erschienen: (c)2008
    Verlag:  University of Illinois Press, Urbana

    "What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
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    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    eBook EBSCO AC
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

     

    "What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies."--Pub. desc The work of film in the age of transnational production -- Apprehending transnationalism -- German film, Aufgehoben : ensembles of transnational cinema -- The transnational aesthetic : Volker Schlöndorff, Studio Babelsberg, and Vivendi Universal -- The historical genre and the transnational aesthetic -- Inhabitant, exhabitant, cohabitant : filming migrants and the borders of Europe -- Transfrontier, broadcasting, transnational civil society.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Halle, Randall
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780252091445; 0252091442
    RVK Klassifikation: GO 20800
    Schlagworte: Motion picture industry; Motion picture industry; Coproduction (Motion pictures, television, etc.); Motion pictures; Aliens in motion pictures; Motion picture industry; Coproduction (Motion pictures, television, etc.); Motion picture industry; Motion pictures; Motion picture industry; Coproduction (Motion pictures, television, etc.); Aliens in motion pictures; Motion pictures; Motion picture industry; BUSINESS & ECONOMICS ; Industries ; Media & Communications; TECHNOLOGY & ENGINEERING ; Telecommunications; PERFORMING ARTS ; Film & Video ; History & Criticism; Aliens in motion pictures; Coproduction (Motion pictures, television, etc.); Motion picture industry; Motion picture industry ; Finance; Motion pictures; Filmwirtschaft; Internationalisierung; Filmproduktion; Koproduktion; Filmbranschen ; Tyskland ; 1990-talet ; sekelskiftet 2000; Film ; historia ; Tyskland ; 1990-talet ; sekelskiftet 2000; Filmindustrin, Tyskland; Finansiering, Tyskland; Film
    Umfang: Online Ressource (x, 239 pages)
    Bemerkung(en):

    Includes bibliographical references (p. [219]-228) and indexes. - Description based on print version record

    The work of film in the age of transnational productionApprehending transnationalism -- German film, Aufgehoben : ensembles of transnational cinema -- The transnational aesthetic : Volker Schlöndorff, Studio Babelsberg, and Vivendi Universal -- The historical genre and the transnational aesthetic -- Inhabitant, exhabitant, cohabitant : filming migrants and the borders of Europe -- Transfrontier, broadcasting, transnational civil society.