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  1. The censorship effect
    Baudelaire, Flaubert, and the formation of French modernism
    Erschienen: [2016]; © 2016
    Verlag:  Oxford University Press, New York, NY

    Introduction, "hypocritical readers: Baudelaire, Flaubert and the censors" -- "The waltz of censorship" -- "Flaubert's foresight" -- "Baudelaire's precautions" -- "Pornograms" -- "Second thoughts" -- Conclusion In 1857 the trials of Flaubert and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Introduction, "hypocritical readers: Baudelaire, Flaubert and the censors" -- "The waltz of censorship" -- "Flaubert's foresight" -- "Baudelaire's precautions" -- "Pornograms" -- "Second thoughts" -- Conclusion In 1857 the trials of Flaubert and Baudelaire for offending against religion and public morality drew attention to the features we now associate with literary modernism; but instead of winning praise for their innovations they were indicted for "ideological crimes." With the passage of time the offenses have been forgotten and the innovations inserted into a triumphal narrative about the rise of modernism. Far from manifesting the autonomy proclaimed by modernism's defenders, though, Flaubert's and Baudelaire's works remain enmeshed in their socio-historical contexts. To that end, The Censorship Effect argues that the stylistic features that prompted the criminal indictment of Madame Bovary and Les Fleurs du Mal--Flaubert's free indirect style and Baudelaire's multiple poetic personae--were much more the products of an intense struggle with a culture of censorship than they were hallmarks of autonomous or autoreferential works of art. They exhibit signs of self-censorship and collaboration with a regime of ethical and political censorship that not only shaped their very composition but affected their reception and continues to operate in the field of literary criticism. Indeed, as William Olmsted compellingly demonstrates, French modernism begins and remains deeply embedded in a culture of censorship whose proprieties, both literary and social, Baudelaire and Flaubert nevertheless challenged and transgressed. Exploring the censorship effect as it played out for Baudelaire and Flaubert, from their trials to their monuments, The Censorship Effect recaptures some sense of their original anger as well as its ongoing suppression by new orthodoxies and reveals how the effect of censorship has implications beyond Flaubert and Baudelaire, beyond authors, but for us as readers too.

     

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    Hinweise zum Inhalt
    Quelle: Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780190238636
    Weitere Identifier:
    9780190238636
    RVK Klassifikation: IG 3720 ; IG 5605 ; IG 6055
    Schlagworte: French literature; Censorship; Modernism (Literature)
    Weitere Schlagworte: Baudelaire, Charles (1821-1867): Fleurs du mal; Flaubert, Gustave (1821-1880): Madame Bovary
    Umfang: viii, 226 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

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