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Over a century after his death, Richard Wagner’s music dramas stand at the centre of the culture of classical music. He was a walking contradiction: aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship. In this book, Simon Callow plunges the reader headlong into Wagner’s world, examining the intellectual and artistic climate of this composer like no other who ever lived, creator of perhaps the most sublime and most troubling body of work in the history of music. (Klappentext) Wagner was the creator of the very theatre in which his heaving, roaring audiences sat. He was the self-proclaimed 'Musician of the Future'. This was exactly what he had set out to achieve, but there was nothing inevitable about it. The magnitude of his accomplishment grew out of a profound instability, which characterises every stage and every phase of his life and which is at the very heart of his music. Withdrawing from instability back into the kingdom of art where he would always be an absolute monarch, where his will would always prevail, he explored the depths and the heights of human experience, by which he meant, of course, his own experience. In this vision of Wagner's life, Simon Callow turns his storytelling energies towards this vast and complex revolutionary of music
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