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  1. Oblique gazes : the "je ne sais quoi" and the uncanny as forms of undecidability in post-Enlightenment aesthetics
    Autor*in: Camilletti, Fabio
    Erschienen: 14.10.2019

    The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissance and is widely debated in the eighteenth century) and of the 'uncanny' as theorized by Ernst Jentsch and Sigmund Freud in the early twentieth... mehr

     

    The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissance and is widely debated in the eighteenth century) and of the 'uncanny' as theorized by Ernst Jentsch and Sigmund Freud in the early twentieth century. Its hypothesis is that both notions, in situating aesthetic experience in a liminal space between pleasure and trouble, can be considered after-images of non-aesthetical notions - notions that belong to the domain of the sacred and have metamorphosed as forms of aesthetic undecidability through the paradigmatic fracture of early modernity. The article focuses on depictions of female figures directing their gaze upward - in the iconography of Sade's Justine, in popular imagery connected with Lourdes apparitions (1858), in medium photography, and in the images taken by Charcot of his hysterical patients at the Salpêtrière - and argues that they become a Warburgian Pathosformel indicating a space of undecidability and 'nonsense' between the subject and otherness.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Das Unheimliche; Ästhetik; Maria; Lourdes; Freud, Sigmund; Hysterie <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. The topoi of utopia : a topology of political tensions
    Autor*in: Doll, Martin
    Erschienen: 15.10.2019

    Writing a positive account of utopias has always been a difficult and risky task. Utopias have always already been out of fashion and outside of time. Since 1989 at the latest, visions of utopia appear to have come to an end. Twenty years after... mehr

     

    Writing a positive account of utopias has always been a difficult and risky task. Utopias have always already been out of fashion and outside of time. Since 1989 at the latest, visions of utopia appear to have come to an end. Twenty years after Fukayama's 'end of history', this article re-assesses the potentially fruitful roles for utopia’s out-of-timeness. Focusing on the critical potential of utopias through the concept of tension, it argues that utopian thought must be conceptualized through its tensile connections both to the status quo of a given society and to its possible futures.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Utopie; Owen, Robert; Heterotopie; Brecht, Bertolt; Marx, Karl; Engels, Friedrich
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. Desiring tension : towards a queer politics of paradox
    Autor*in: Engel, Antke
    Erschienen: 15.10.2019

    The article provides a close reading of the video "Sometimes you fight for the world, sometimes you fight for yourself", dir. by Pauline Boudry/Renate Lorenz (2004, 5'). It reads the video as promoting what it calls a 'queer politics of paradox',... mehr

     

    The article provides a close reading of the video "Sometimes you fight for the world, sometimes you fight for yourself", dir. by Pauline Boudry/Renate Lorenz (2004, 5'). It reads the video as promoting what it calls a 'queer politics of paradox', that is, a politics that acknowledges desire as a constitutive moment of the political and at the same time challenges the political via a queer understanding of desire in order to make room for the political articulation of the Other. The article argues that a reworking of the political - one that aims at de-centring its hegemonic dynamic and creating space for Otherness - becomes possible if one invites paradox as a specific, anti-identitarian, and agonistic mode of tension to function as a constitutive moment of desire and of the political.

     
    Export in Literaturverwaltung
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Boudry, Pauline; Lorenz, Renate; Queer-Theorie; Paradoxon; Kurzfilm
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. Strategies of tension : A. Boissier's "Les amants électrisés par l'amour" (1797)
    Autor*in: Gaderer, Rupert
    Erschienen: 15.10.2019

    The article analyses A. Boissier's image "Les Amants électrisés par l'amour" in view of the larger question of how something is able to arouse interest on first sight, but also in repeat encounters. Highlighting the engraving's didactic iconography,... mehr

     

    The article analyses A. Boissier's image "Les Amants électrisés par l'amour" in view of the larger question of how something is able to arouse interest on first sight, but also in repeat encounters. Highlighting the engraving's didactic iconography, the article shows how it revolves around the solution to a riddle and uses a typical design of the Enlightenment to show the uncovering of a deception. As such, the engraving is part of a long tradition of showing (supposedly) supernatural events, more specifically the tradition of Magia naturalis. At the same time, the image contains dissonances and can be seen to simulate suspense through dichotomies that can be identified as antagonistic historical concepts. The article furthermore discusses the amalgamation of love and electricity in contemporary discourses and addresses the temporal dimension of the engraving, which constructs itself out of an absence, out of something yet unseen.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Spannung; Elektrizität; Wissenschaft; Geschichte 1750-1800; Aufklärung; Liebe <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Tension in/between aesthetics, politics, and physics
    Autor*in: Holzhey, Christoph F. E.
    Erschienen: 15.10.2019

    The article sketches a critical paradigm for interdisciplinary work that is centred on tension as a highly ambiguous and ultimately deeply paradoxical notion. It highlights that a unifying account of what tension is or a systematic classification of... mehr

     

    The article sketches a critical paradigm for interdisciplinary work that is centred on tension as a highly ambiguous and ultimately deeply paradoxical notion. It highlights that a unifying account of what tension is or a systematic classification of its diverse meanings would risk resolving tensions between different approaches and privileging a particular mode of doing so. Successively focussing on aesthetic, socio-political, and physical tensions, the essay articulates tension rather as a broad umbrella term that is stretched by multi-perspectival articulations, unified through its intensive surface tension, and at the same time full of transformative and generative potentials. In particular, it proposes that tensions between different cultural or disciplinary fields can be made productive by inducing tensions within each field so that different fields can be related to each other on the basis of tension rather than some substantial commonality.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Spannung; Ästhetik; Politik; Physik; Feldtheorie
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess