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  1. 'Alles Andere ist jetzt eben nichts mehr. Bist du ja jetzt meine ganze Welt' : an unedited love correspondence from the nineteenth century : an analysis
    Autor*in: Mazzaglia, Piera
    Erschienen: 10.01.2024

    This paper relies on an unedited and unpublished nineteenth century love correspondence of a heterosexual couple from the German speaking area. The aim of this study is to contribute to the knowledge regarding the nineteenth century love experience... mehr

     

    This paper relies on an unedited and unpublished nineteenth century love correspondence of a heterosexual couple from the German speaking area. The aim of this study is to contribute to the knowledge regarding the nineteenth century love experience of ordinary and unknown lovers. In fact, while there are plenty of books on love correspondences of famous personalities, little research has been dedicated to love letters and romantic experiences of 'ordinary and unknown' people. For this reason the main aim of this article is to shed light on love stories and love experiences that otherwise will fall into the abyss of oblivion. A new theory regarding the love experience in the nineteenth will be proposed: in this century love was perceived more in its material than in its abstract nature; I argue that in the nineteenth love was more about what people did, than to what they said. Lovers are in constant need of material and 'seeable' proof in order to perceive the love of their partners as real and authentic. The examples extrapolated from the following correspondence will corroborate this statement. Furthermore, this article has the purpose to underline the great value of love letters not only from an historical perspective (being evidence of past lives and dynamics), but also and more importantly from a cultural and societal one: analyzing love letters means to acquire knowledge not only about cultural and societal dynamics, but also and more importantly to add knowledge to the love discourse. In fact, they say a lot about the way people talked, expressed and materialized love in their daily lives. Correspondences without any publication in view are the most precious ones because they represent an unregulated and more spontaneous expression 'of the language of the heart'.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Liebesbrief; Geschichte 1800-1900; Sachkultur
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. The act of reading in translation : on Wolfgang Iser's self-translatability
    Autor*in: Bodola, Ronja
    Erschienen: 17.06.2024

    This article takes the renowned study "Der Akt des Lesens" (1976) by Wolfgang Iser and its translation "The Act of Reading" (1978) as its starting point. The differences between the two texts are discussed in terms of Iser's own idea of... mehr

     

    This article takes the renowned study "Der Akt des Lesens" (1976) by Wolfgang Iser and its translation "The Act of Reading" (1978) as its starting point. The differences between the two texts are discussed in terms of Iser's own idea of translatability as a cultural practice that was outlined in the short text "On Translatability". This theoretical frame will shed light on the decisions made in his own translations, and will help to develop a conceptualization of self-translation as a practice inherent in cultural change. [...] I will propose a combination of two concepts, Iser's 'translatability' (in II.) and the notion of 'autocommunication' by Lotman (III.), to suggest a concept of self-translation that entails three interrelated aspects: a) translation as a rewriting of the text as such, b) translation as continued work on one's argument as well as c) the re-translation back to the original source as a manifestation of a change in one's thought structure - Änderungen der eigenen Denkstruktur, as one of Werner Heisenberg's papers is entitled, and to which I will come back in my conclusion (IV.). Hence, the focus is mainly systematic and conceptual, however, I will first comment on my example of self- and re-translation and start with a comparison of different versions of Iser's "Der Akt des Lesens" and the shorter texts that led to the actual monograph.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-86599-467-7
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Iser, Wolfgang; Übersetzung; Eigenübersetzung
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  3. Rethinking Romanticism with Spinoza : encounter and individuation in Novalis, Ritter, and Baader
    Autor*in: Biareishyk, Siarhei
    Erschienen: 18.06.2024

    Siarhei Biareishyk setzt sich mit Berührung bei Novalis, Joachim Ritter und Franz Baader auseinander, bei denen er ein materialistisches Denken findet, das starke Parallelen zur Philosophie Spinozas zeigt. Mit Novalis erweist sich Berührung - und... mehr

     

    Siarhei Biareishyk setzt sich mit Berührung bei Novalis, Joachim Ritter und Franz Baader auseinander, bei denen er ein materialistisches Denken findet, das starke Parallelen zur Philosophie Spinozas zeigt. Mit Novalis erweist sich Berührung - und nicht 'Begegnung' wie etwa bei Gilles Deleuze - als eine zentrale Denkfigur für Individuierungsprozesse und Konzepte der Transindividualität. Der um Novalis angesiedelte Kreis der 'Freiberger Romantik' bildet so ein interessantes Scharnier zwischen einem Denken von Berührung und aktuellen Debatten um einen neuen Materialismus.

     
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  4. Heinrich von Kleist's cosmopolitism and the openness of the sea
    Autor*in: Jakob, Rafael
    Erschienen: 26.11.2024

    Heinrich von Kleist, the Prussian, a cosmopolitan? His plays and novellas written with moral-worldly intent? He was indeed restless, lived briefly in Paris and Switzerland, created literature about the revolution in Haiti and the earthquake in... mehr

     

    Heinrich von Kleist, the Prussian, a cosmopolitan? His plays and novellas written with moral-worldly intent? He was indeed restless, lived briefly in Paris and Switzerland, created literature about the revolution in Haiti and the earthquake in Santiago de Chile (although he may really have been thinking of the Lisbon earthquake). And repeatedly, he placed the personae of his novellas in strong relationship to the wider world. [...] Scenes of shipwreck and threatened demise furnish the paradigm for an event-ethic: an ethic, taking narrative form, that Kleist articulated against the backdrop of a state intervention increasingly rendering impossible the cosmopolitanism of Kantian stamp. Instead of the universality of world-citizenship, Kleist presents us with the event's impersonality; instead of a logic of progress, of general moral self-formation, the event's insistent repetition. This is the context for Kleist's editorial reworking of Achim von Arnim's and Clemens Brentano's critique, written for the "Abendblätter", of Caspar David Friedrich's painting now known as "The Monk by the Sea" (1808–1810). Kleist here defines Friedrich's paintings as capturing a relationship to the world grounded in this different ethics; in his reworking, precisely at the point where Kleist decisively moves away from the version submitted by the two Romantic authors, he tellingly speaks of a "sad and uncomfortable position in the world."

     
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  5. Scheerbart on the beach : visiting "The Sea-Serpent"
    Autor*in: Gellai, Szilvia
    Erschienen: 28.10.2024

    Scheerbart is already working on his cosmological project, the alteration of Earth-dwellers, in his early writing. The present essay will focus on a text of his that has hardly been examined until now, "Die Seeschlange. Ein See-Roman" ("The... mehr

     

    Scheerbart is already working on his cosmological project, the alteration of Earth-dwellers, in his early writing. The present essay will focus on a text of his that has hardly been examined until now, "Die Seeschlange. Ein See-Roman" ("The Sea-Serpent: A Sea-Novel", 1901), which can be considered an entrée to the wider project. On the one hand, Scheerbart here explores the relationship between Planet Earth and its human inhabitants, offering a critique of their bourgeois-humanistic manifestation. But in doing so, his starting point is neither the human being nor nature, hence the two ideal-typical poles of terrestrial causal connection; rather, it is the medium that draws up and regulates these poles. From Scheerbart's perspective, this medium is very clearly architecture, or technique in general. For this reason, also at stake in the novel, on the other hand, is exploring architecture's metaphysical and ethical potential. These two thematic strands are intertwined in the mythic sea-serpent, conceptualized in a tripartite manner: as the vehicle for pan-psychic cosmology; as a higher-order fiction; and as planetary architecture. All three of these conceptual levels have elements that suggest an understanding of this maritime creature as the figuration of a critique of humanism. The sea-novel thus reveals an important moment in Scheerbart's poetics - a moment we might describe as his posthuman turn.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-94-6166-592-8; 978-94-6166-593-5; 978-94-6270-440-4
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Scheerbart, Paul; Mensch; Natur; Technik
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess