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  1. Reversion: lyric time(s) II
    Autor*in: Giusti, Francesco
    Erschienen: 27.01.2020

    Is a 'history' of the lyric even conceivable? What would a 'lyric' temporality look like? With a focus on Rainer Maria Rilke's decision not to translate, but rather to rewrite Dante's "Vita nova" (1293–1295) in the first of his "Duineser Elegien"... mehr

     

    Is a 'history' of the lyric even conceivable? What would a 'lyric' temporality look like? With a focus on Rainer Maria Rilke's decision not to translate, but rather to rewrite Dante's "Vita nova" (1293–1295) in the first of his "Duineser Elegien" (1912), the essay deploys 'reversion' (as turning back, return, coming around again), alongside 're-citation', as a keyword that can unlock the transhistorical operations of the lyric as the re-enactment of selected gestures under different circumstances.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-001-5; 978-3-96558-002-2
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: ICI Berlin
    Schlagworte: Dante Alighieri; La vita nuova; Rezeption; Rilke, Rainer Maria; Duineser Elegien; Lyrik; Zeitlichkeit
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. Gestural communities : lyric and the suspension of action
    Autor*in: Giusti, Francesco
    Erschienen: 09.12.2024

    Memorability, shareability, and repeatability are interrelated characteristics often ascribed to lyric poetry in current theory, sometimes with an emphasis on the transnational potential of its circulation. This article approaches this question of... mehr

     

    Memorability, shareability, and repeatability are interrelated characteristics often ascribed to lyric poetry in current theory, sometimes with an emphasis on the transnational potential of its circulation. This article approaches this question of shareability not in terms of diction or form, as is usually the case, but of gesture. Drawing on Bertolt Brecht, Walter Benjamin, and Giorgio Agamben, gesture is defined as both historically situated and transferable to different contexts, but whether or not to re-enact a particular gesture in one's own context is a political decision. After examining how a sonnet by Andrea Zanzotto addresses the lyric gesture of exhortation offered by a Petrarch sonnet, the article goes on to explore the potentiality opened up for the formation of gestural communities by the suspension of action in the lyric.

     
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