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  1. Response to Anna Murashova's contribution
    Erschienen: 16.10.2025

    Anna Murashova's article investigates the impact of digitalization on contemporary Russian literature, particularly with regard to online publishing platforms such as Litnet and Author.Today. She examines how these platforms connect literature to... mehr

     

    Anna Murashova's article investigates the impact of digitalization on contemporary Russian literature, particularly with regard to online publishing platforms such as Litnet and Author.Today. She examines how these platforms connect literature to political and societal transformations in Russia and approaches the material both from a perspective of digital ethnography within a geopolitical-digital framework and through close literary analysis of selected texts. Her analytical lens is deliberately multi-perspectival, striving to integrate the view of the everyday reader with that of the academic critic. She explores the interplay between politics, authorship, and the literary marketplace, though this market is in many cases constrained or even nonexistent due to censorship and restricted opportunities for free publication. In my view, this dual focus merits greater emphasis, as it bears significant implications not only for the structure of the literary field but also for reader preferences and the evolution of narrative forms and literary language. Murashova also points to a characteristic phenomenon of politically critical literature under authoritarian regimes: the restriction of free speech and open publication compels authors to seek alternative channels to share their ideas, stories, and political messages with a broader public. This observation invites a broader comparative perspective.

     

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  2. Digital platforms and the geopolitics of English in Mithu Sanyal's novel "Identitti"
    Erschienen: 16.10.2025

    This paper explores the role of digital platforms as well as mobile messaging applications in the proliferation of the English language, specifically as imports from the United States of America to Germany's academic and anti-racist activist sphere... mehr

     

    This paper explores the role of digital platforms as well as mobile messaging applications in the proliferation of the English language, specifically as imports from the United States of America to Germany's academic and anti-racist activist sphere in Mithu Sanyal's political novel "Identitti" (2021). Sanyal was born in 1971 in Düsseldorf-Oberbilk; she holds degrees in German and English Literature as well as a doctoral degree in Cultural Studies (Kulturwissenschaften). As a journalist and essayist, she has published extensively in both public and private media outlets, predominantly in German. To date, "Identitti" is the first of her two German-language novels. The author's academic and journalism background is important to note as Identitti textually incorporates both styles of writing. Its plot revolves around a fictional public debate on the politics of race that very much engages with the political reality in contemporary Germany. The spaces of debate are equally intrinsic to the political nature of the novel's main theme, which is the relationship between university classrooms, broadcast and print media, and the internet's digital spaces. Equally central to the novel's political relevance is its setting in 2020: Identitti textually incorporates reflections on human virtual interactions in the context of the Hanau murders and the COVID-19 pandemic. At an impressive length of 431 pages (including an afterword by the author and two lists of references and recommendations), Identitti offers ample material for analysis and interpretation. This paper will focus on the use of English in the novel and offer reflections on the geopolitics of language in contemporary Germany. I will draw from critiques of the U.S. dominance from scholars intellectually situated outside of the North Atlantic geopolitical zone centered on the EU and the U.S.A. These are a group of social scientists studying Brazilian, Argentinian, and Chilean academic publishing practices, philosopher Moacyr Ayres Novaes Filho, and cultural studies scholar 陳光興 / Kuan-Hsing Chen. With "Identitti" as its primary source, this paper argues that English from the U.S.A. is a geopolitical supra-language, especially when it comes to political discourse on race in Germany. First, Sanyal's plot offers reflections on the personal impact of newer digital media's real-time speed over broadcast journalism and the university as a physical space. Second, the novel as a linguistic corpus demonstrates the dominant position of English in German academic and antiracist activist circles, particularly in their online interactions. Following these reflections, the supra-language of English connects digital immediacy with the hermetic nature of academic knowledge and the enduring prestige of film, television, print, and broadcast media.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Konferenzveröffentlichung; conferenceObject
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Postkolonialismus; Englisch; Sanyal, Mithu M.; Identitti; Antirassismus; Politischer Roman
    Lizenz:

    creativecommons.org/licenses/by/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess

  3. Impotent forms : "Crabwalk" and the political novel
    Autor*in: Salvo, Sophie
    Erschienen: 16.10.2025

    In the 2002 novella "Crabwalk", Günter Grass makes his narrator confront his shortcomings head on. By his own admission, Paul Pokriefke is a bad father, a bad son, and certainly a bad romantic partner. Set in the present day of its publication, with... mehr

     

    In the 2002 novella "Crabwalk", Günter Grass makes his narrator confront his shortcomings head on. By his own admission, Paul Pokriefke is a bad father, a bad son, and certainly a bad romantic partner. Set in the present day of its publication, with a glance backward toward the trials of German history, Crabwalk tells interweaving stories of violence, hatred, and misunderstanding. The title alludes to the way that Grass's narrator tacks between multiple historical events, including the ascension of Wilhelm Gustloff to Nazi leader in Switzerland in the 1930s; Gustloff's eventual murder by the Jewish student David Frankfurter; the Nazi ship named in Gustloff’s honor, which first took Germans on pleasure cruises through the "Kraft durch Freude Campaign", but then met a disastrous end as a Nazi naval vessel in 1945; and the online resurrection of Gustloff by the twenty-first century's far right, as he is celebrated through anti-Semitic vitriol on websites and in chatrooms - and then in person. Only this last part is Grass's invention.

     

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  4. Response to Sophie Salvo's contribution
    Erschienen: 16.10.2025

    In her contribution, Sophie Salvo asks a simple yet profound question: why does Günther Grass, in his 2003 novella "Crabwalk", and I quote, "ventriloquize his intervention into contemporary memory politics through a bad writer?" (4) Or, to put it... mehr

     

    In her contribution, Sophie Salvo asks a simple yet profound question: why does Günther Grass, in his 2003 novella "Crabwalk", and I quote, "ventriloquize his intervention into contemporary memory politics through a bad writer?" (4) Or, to put it differently, I quote again, "What does it mean that, in a text that was so clearly intended to become part of public discourse, Grass chooses a mediocre writer to be its narrator?" (4) This question is central to Crabwalk, especially since the narrator - a bad writer - is mentored by a creative writing teacher closely resembling Grass himself. [...] Following Salvo's ideas, I would like to explore three directions for further discussion by trying to consider the difference between good and bad writers, between potent and impotent forms, as a matter of media.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Konferenzveröffentlichung; conferenceObject
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Günter Grass; Im Krebsgang; Politischer Roman; Medientheorie; Gattungstheorie
    Lizenz:

    creativecommons.org/licenses/by/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess