TY - BOOK T1 - Music, sexuality and the enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte AU - Ford, Charles C. AU - Mozart, Wolfgang Amadeus PY - c2012 PB - Ashgate CY - Franham [u.a.] LA - eng N1 - print SN - 9780754668893 KW - Mozart, Wolfgang Amadeus KW - Nozze di Figaro KW - Don Giovanni KW - Così fan tutte KW - Sex in music KW - Opera KW - Mozart, Wolfgang Amadeus, 1756-1791 KW - Music N1 - Includes bibliographical references and index. - Pt. I: Overtures. 1. Introduction -- 2. Enlightenment as negative freedom -- 3. Enlightened music -- Pt. II. Masculine music. 4. Music of enlightened masculinity -- 5. Angry masculine music -- 6. Libertinage and musical libertinage -- 7. The Enlightenment's legitimation of feelings -- 8. Sensitive masculine music -- Conclusions to Part II: the differentiation of masculine music -- Pt. III. Feminine music. 9. Music of enlightened femininity -- 10. Sorrowful feminine music -- 11. Hysterical feminine music -- 12. Music of feminine moral frailty -- 13. The musical ridicule of female intentions -- 14. Two maids' and a peasant girl's music -- Conclusions to Part III: the differentiation of feminine music -- Pt. IV. Seductions. 15. Simple musical seductions -- 16. Complex musical seduction: Fiordiligi and Ferrando -- Pt. V: Finales. 17. Five finales -- 18. Don Giovanni and the stone man -- 19. Kant, Sade and Don Giovanni -- 20. Così fan tutte, Act II Finale -- 21. The futures of the operas N1 - Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas. N1 - Includes bibliographical references and index ER -