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  1. Wagner and Russia
    Erschienen: 1995
    Verlag:  Cambridge Univ. Press, Cambridge

    Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has until now remained largely unexplored. This book, which draws extensively on unpublished... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Europa-Universität Viadrina, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has until now remained largely unexplored. This book, which draws extensively on unpublished archival materials and other contemporary sources, aims to show that in certain important respects, Wagner's music and ideas found more fertile ground in Russia than anywhere else in Europe. Beginning with the first mention of Wagner's name in the Russian press in 1841, and ending almost 150 years later when the composer was finally rehabilitated during the years of glasnost, this study provides the first detailed account of Wagner's visit to Russia in 1863, and a history of the productions of his works in Russia both before and after the Revolution (including radical stagings by Meyerhold and Eisenstein) The book pays special attention to Wagner's important influence on the Russian Modernist movement, focusing particularly on his impact on the leading Symbolist writers, Vyacheslav Ivanov, Andrey Bely and Aleksandr Blok

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0521440718
    RVK Klassifikation: GL 9723 ; LP 66475
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in Russian literature
    Schlagworte: Littérature russe - 19e siècle - Histoire et critique; Littérature russe - 20e siècle - Histoire et critique; Opera's; Receptie; Schrijvers; Rezeption; Schriftsteller; Rezeption
    Weitere Schlagworte: Wagner, Richard <1813-1883> - Critique et interprétation; Wagner, Richard <1813-1883> - Influence; Wagner, Richard <1813-1883>; Wagner, Richard <1813-1883>; Wagner, Richard (1813-1883)
    Umfang: XX, 405 S., Ill.
    Bemerkung(en):

    Rez.: Richard Wagner in Rußland (Bayreuth, 2001), S. 75-80, russ. S. 146-151 (Oleg Chmelnizkij)

  2. Wagner and Russia
    Erschienen: 1995
    Verlag:  Cambridge Univ. Press, Cambridge

    Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has until now remained largely unexplored. This book, which draws extensively on unpublished... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has until now remained largely unexplored. This book, which draws extensively on unpublished archival materials and other contemporary sources, aims to show that in certain important respects, Wagner's music and ideas found more fertile ground in Russia than anywhere else in Europe. Beginning with the first mention of Wagner's name in the Russian press in 1841, and ending almost 150 years later when the composer was finally rehabilitated during the years of glasnost, this study provides the first detailed account of Wagner's visit to Russia in 1863, and a history of the productions of his works in Russia both before and after the Revolution (including radical stagings by Meyerhold and Eisenstein) The book pays special attention to Wagner's important influence on the Russian Modernist movement, focusing particularly on his impact on the leading Symbolist writers, Vyacheslav Ivanov, Andrey Bely and Aleksandr Blok

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0521440718
    RVK Klassifikation: GL 9723 ; LP 66475
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in Russian literature
    Schlagworte: Littérature russe - 19e siècle - Histoire et critique; Littérature russe - 20e siècle - Histoire et critique; Opera's; Receptie; Schrijvers; Rezeption; Schriftsteller; Rezeption
    Weitere Schlagworte: Wagner, Richard <1813-1883> - Critique et interprétation; Wagner, Richard <1813-1883> - Influence; Wagner, Richard <1813-1883>; Wagner, Richard <1813-1883>; Wagner, Richard (1813-1883)
    Umfang: XX, 405 S., Ill.
    Bemerkung(en):

    Rez.: Richard Wagner in Rußland (Bayreuth, 2001), S. 75-80, russ. S. 146-151 (Oleg Chmelnizkij)