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  1. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: [2016]; © 1996
    Verlag:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    ISBN: 9781442670600
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    Schriftenreihe: Theory / Culture
    Schlagworte: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

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  2. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

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    ISBN: 0802009824
    RVK Klassifikation: GM 1411 ; GN 1900 ; GN 1411
    Schriftenreihe: Theory, culture
    Schlagworte: Narration; Roman allemand - 20e siècle - Histoire et critique; Geschichte; German fiction; Narration (Rhetoric); Literatur; Prosa; Deutsch; Erzähltechnik
    Umfang: X, 205 S.
  3. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

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    ISBN: 0802009824; 9780802009821
    Schriftenreihe: Theory / culture
    Schlagworte: German fiction; Narration (Rhetoric)
    Umfang: Online-Ressource (x, 205 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Death in Venice : narrative situations in Thomas Mann's Der Tod in VenedigTrial : paradigms of indeterminacy in Franz Kafka's Der ProzessHarry Haller's records : the ludic imagination in Hermann Hesse's SteppenwolfAuto da fé : reading misreading in Elias Canetti's Die BlendungTin Drum : implications of unrealibility in Günter Grass's Die BlechtrommelTwo views : the authority of discourse in Uwe Johnson's Zwei Ansichten / Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter

    Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk.

    Electronic document; Available by subscription via World Wide Web

  4. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

    Universitätsbibliothek Bamberg
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
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    ISBN: 0802009824
    RVK Klassifikation: GM 1411 ; GN 1900 ; GN 1411
    Schriftenreihe: Theory, culture
    Schlagworte: Narration; Roman allemand - 20e siècle - Histoire et critique; Geschichte; German fiction; Narration (Rhetoric); Literatur; Prosa; Deutsch; Erzähltechnik
    Umfang: X, 205 S.
  5. The comedy of entropy
    humour, narrative, reading
    Erschienen: 1990
    Verlag:  Univ. of Toronto Press, Toronto u.a.

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  6. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: [2016]; ©1996
    Verlag:  University of Toronto Press, Toronto

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Acts of Narrative provides a fresh and challenging approach to German literary texts that will interest both those whose concern is narrative theory and critical practice and those who study modern and postmodern German or comparative literature.

     

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    ISBN: 9781442670600
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    Schriftenreihe: Theory / Culture
    Schlagworte: Narration (Rhetoric); German fiction; Narration (Rhetoric); German fiction; German fiction.; Narration (Rhetoric).
    Umfang: 1 online resource
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    :

  7. Acts of narrative
    textual strategies in modern German fiction
    Autor*in:
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

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    Quelle: Verbundkataloge
    Beteiligt: O'Neill, Patrick
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442670600; 1442670606
    Schriftenreihe: Theory
    Theory/culture
    Schlagworte: German fiction; Roman allemand; Narration; Narration (Rhetoric); German fiction; LITERARY CRITICISM ; European ; German; German fiction; Narration (Rhetoric); Literatur; Narrativität; Criticism, interpretation, etc
    Umfang: Online Ressource (x, 205 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  8. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996; © 1996
    Verlag:  University of Toronto Press, Toronto, [Canada] ; Buffalo, [New York] ; London, [England]

    Export in Literaturverwaltung   RIS-Format
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    ISBN: 9781442670600
    Schriftenreihe: Theory / Culture
    Schlagworte: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 online resource (216 pages)
    Bemerkung(en):

    Description based on print version record

  9. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: [2016]; © 1996
    Verlag:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    ISBN: 9781442670600
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Schlagworte: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  10. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    ISBN: 9781442670600; 1442670606; 0802009824; 9780802009821
    Schriftenreihe: Theory/culture series
    Schlagworte: Roman allemand / 20e siècle / Histoire et critique; Narration; Literatur; Narrativität; LITERARY CRITICISM / European / German; German fiction; Narration (Rhetoric); German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 Online-Ressource (x, 205 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig -- - Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess -- - Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf -- - Auto da fé : reading misreading in Elias Canetti's Die Blendung -- - Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel -- - Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten -- - Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter -- - Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard

    O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

  11. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Universitätsbibliothek Greifswald
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    ISBN: 0802009824
    Schriftenreihe: Theory / culture
    Schlagworte: German fiction; Narration (Rhetoric)
    Umfang: X, 205 S
    Bemerkung(en):

    Includes bibliographical references (p. [189]-199) and index