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Newman, Jane O.: The intervention of philology [Rezension]
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German baroque drama
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Becker-Cantarino, Barbara, ed. and trans. The life of Lady Johanna Eleonora Petersen, written by herself [Rezension]
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Der Weg zur Mündigkeit in einem Frauenleben aus dem 17. Jahrhundert
Genesis und Publikationsgeschichte der geistlichen Lieder der Gräfin Aemilie Juliane von Schwarzburg-Rudolstadt -
Stephanie Wodianka. Betrachtungen des Todes [Rezension]
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"Das klingt sehr tragisch!"
Lessing's 'Minna von Barnhelm' as embodiment of the genre discussion -
"Fertigkeit"
a millennialist concept in a dedicatory epistle by Caspar Stieler -
Augustus Buchner's 'Bußfertige Magdalena' (1636)
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Scaramutza in Germany
the dramatic works of Caspar Stieler -
The merchant and the moor of Venice in Lessing's 'Minna von Barnhelm'
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Libretti without scores
problems in the study of early German opera -
Hardin, James: Johann Christoph Ettner [Rezension]
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Authorial self-consciousness in the theater of Caspar Stieler
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Baroque
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Dithyrambs
metrical and emotional chaos in German Baroque drama -
Sprachgesellschaften - Galante Poetinnen [Rezension]
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A language for German opera
the development of forms and formulas for recitative and aria in the seventeenth century German libretti -
Greiner, Bernhard: Die Komödie [Rezension]
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German theater before 1750 [Rezension]
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Songs by and for women in a devotional songbook of 1703
women's voices for women's voices -
Constantin Christian Dedekind: Neue geistliche Schauspiele [Rezension]
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The "Vaterunser" in all shapes and sizes
a poetical-musical-devotional exercise in the works of Johann Franck and Caspar Stieler -
Anthony J. Harper: German secular song-books of the mid-seventeenth century [Rezension]
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Misattributed 'Melissa' or let's give David Elias Heidenreich his due
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A language for German opera
the development of forms and formulas for recitative and aria in the seventeenth-century German libretti