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  1. Remedy or disease? : Romantic perspectives on music
    Erschienen: 07.03.2012

    Around 1800, aesthetic debate suddenly places music at the very top in the hierarchy of the arts, even superseding poetry: This has become a commonplace not only in scholarly discourse. The protagonists of this re-arrangement of the artistic... mehr

     

    Around 1800, aesthetic debate suddenly places music at the very top in the hierarchy of the arts, even superseding poetry: This has become a commonplace not only in scholarly discourse. The protagonists of this re-arrangement of the artistic disciplines are Wilhelm Heinrich Wackenroder, E.T.A. Hoffmann and Ludwig Tieck. In their programmatic texts, they state that music is to be free and absolute and stress its metaphysical quality and its close relation to the supernatural. Furthermore, music is supposed to be no longer dependent on the other arts, and music releases the listener or the musician from prosaic everyday life. As Wackenroder writes in Die Wunder der Tonkunst, […] [a]ll sickening thoughts which, according to Wackenroder, are the illness of mankind vanish with a piece of music, making our mind sane again. Literary romanticism here recurs to a long tradition that reaches back to the classical ages in Greece and Arabia: Music is used as a remedy for curing illnesses of various kinds. In classical antiquity, Apollo is the god of music, poetry and dancing as well as the god of healing. He was also named “Iatros” (physician) or Apollo Medicus. […] Orpheus as a bard and demigod was also said to be capable of curing diseases by means of his music. […] Thus, music in history is part of treating physical illness on the one hand, but on the other hand is more and more considered to provide a remedy especially for mental deficiencies. Music is meant to improve nervous disorders and sometimes it is even prescribed as a regular medicine. As we will see in Hoffmann’s text Die Genesung, there is a connection between the ritual healing processes in the temples of Aesculapius and the setting of the forest in which the old man regains his health.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturtheorie (801)
    Schlagworte: Wackenroder, Wilhelm Heinrich; Hoffmann, Ernst T. A.; Musikästhetik
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  2. A torção mimética do real : sobre a concepção freudiana da literatura The mimetic twist of the real : on Freud's concept of literature

    The objective of this paper is to make a reading of conceptual elements present in the Freudian view on poetry and literature, pointing out its problematic aspects, but also the relevant ones to the analysis of the aesthetic phenomenon. Initially, we... mehr

     

    The objective of this paper is to make a reading of conceptual elements present in the Freudian view on poetry and literature, pointing out its problematic aspects, but also the relevant ones to the analysis of the aesthetic phenomenon. Initially, we review briefly the significant points in the tradition of critical comments on Freudian aesthetic reflections, then comment on the text "Creative Writers and Day-Dreaming" (1908), in which we employ the comparison with themes and concepts in the "Poetics" of Aristotle and in the "Critique of Judgment" of Kant. In the last part we opposed some of the concepts presented in this first text to the article "The Uncanny" (1919), where we propose a reading that makes a contrast of the role and importance given to the aesthetic dimension in both texts. The entire trajectory is oriented to demonstrate the need to conceive of the aesthetic from the intertwining, from identity and difference, between the unconscious psychic field and its ways of actualization refracted by the imagistic-imaginary dimension. O objetivo do texto é fazer uma leitura de elementos conceituais presentes na concepção freudiana sobre a poesia e a literatura, apontando aspectos problemáticos, como também os que se mostram pertinentes para análise do fenômeno estético. Inicialmente, passamos brevemente em revista pontos significativos de comentários críticos às reflexes estéticas freudianas da tradição, passando então a comentar o texto "Der Dichter und das Phantasieren" (1908), em que nos serviremos da comparação com temas e conceitos presents na "Poética" de Aristóteles e na "Kritik der Urteilskraft" de Kant. Na última parte, contrapomos alguns conceitos presentes neste primeiro texto ao artigo "Das Unheimliche" (1919), em que propomos uma leitura que faz contrastar o papel e importância conferidos à dimensão estética em ambos os textos. Toda a trajetória está orientada para demonstrar a necessidade de conceber o estético a partir do entrelaçamento, da identidade e da diferença, entre o âmbito psíquico inconsciente e suas formas de atualização refratadas pela dimensão imagético-imaginária.

     

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    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturtheorie (801)
    Schlagworte: Freud, Sigmund / Der Dichter und das Phantasieren; Freud, Sigmund / Das Unheimliche; Literatur; Ästhetik; Fiktion
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    Creative Commons - Namensnennung-Nicht kommerziell 3.0

  3. Dos Passos instead of Goethe! : Some observations on how the history of narratology is and ought to be conceptualized
    Erschienen: 09.04.2013

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear... mehr

     

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear narrative used so far to tell this story. It lists some aspects which are neglected by the usual narrative and favors a decentered conception of narratology’s development.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturtheorie (801)
    Schlagworte: Erzählforschung; Erzähltheorie; Dos Passos, John; Goethe, Johann Wolfgang von
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    Creative Commons - Namensnennung-Nicht kommerziell-Keine Bearbeitung 3.0

  4. Das Ungesagte / Ungedachte : Ein Briefwechsel
    Erschienen: 26.06.2013

    "Die wichtigste, schwärendste Portion des Ungeschriebenen und sein entscheidender Einfluss auf die Springprozession des Schreibens liegt nach meinem Eindruck in dem, was dringend dran wäre, gedacht, gesagt und geschrieben zu werden, und was sich dem... mehr

     

    "Die wichtigste, schwärendste Portion des Ungeschriebenen und sein entscheidender Einfluss auf die Springprozession des Schreibens liegt nach meinem Eindruck in dem, was dringend dran wäre, gedacht, gesagt und geschrieben zu werden, und was sich dem entzieht. Ist es zu schwer, zu sperrig, zu komplex? Womöglich sind ja die Arme unseres Geistes nicht kräftig genug, das eigentlich Benötigte zu stemmen."

     

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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturtheorie (801)
    Schlagworte: Unsagbarkeit; Aporie; Denken; Erkenntnistheorie
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