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Ergebnisanzeige "Art History as Modernism: Intersections between Modern Art and Theory in Fin-de-Siècle Germany and Austria"
RessourcentypCall for Papers
TitelArt History as Modernism: Intersections between Modern Art and Theory in Fin-de-Siècle Germany and Austria
BeschreibungCFP: GSA 2013, Denver, CO, USA, October 3-6, 2013

Art History as Modernism: Intersections between Modern Art and Theory in Fin-de-Siècle Germany and Austria

While the work of late nineteenth- and early twentieth-century German and Austrian art historians helped to set the course of the development of art history as a discipline, the impact of this body of thought did not remain confined within its disciplinary boundaries. It extended beyond the scholarly realm to reach artists, critics, and the reading public at large. Indeed, this work was shaped by contemporaneous developments in art, experimental psychology, and other fields. This session is concerned with the circulation of art historical theories and the role that the intersections between art history, art theory, and art-making played in the development and reception of modernism in late nineteenth- and early twentieth-century German-speaking contexts. We welcome papers that explore the many ways in which several key art historical problems—for example, conceptions of ornament, abstraction, the psychology of styles, artistic volition (Kunstwollen), psychological aesthetics, and the interface between fine and applied arts—shaped both art historical scholarship and modernist art practices from Jugendstil through International Constructivism.

In what ways, for example, did art historical understandings of ornament shape the development of modernist art in Germany? How did the various forms of modernism inflect art historical theories of the fine and decorative arts? How does psychological aesthetics, as formulated by, for example, Robert Vischer or Theodor Lipps, shape the intersections between art historical theories and modernist practice? What effects might a specific modernist artist’s embrace of a particular art historian’s work—for example, Franz Marc’s adoption of Wilhelm Worringer’s concept of abstraction—have had on that artist’s creative output and on art historical theory? How did Alois Riegl’s theory of Kunstwollen shape public understandings of style and culture? And in what ways do questions of German and/or Austrian nationality and nationalism inflect these discussions?

While we invite proposals for papers that provide empirical evidence of the importance of a particular art historical concept for an artist’s creative process and vice versa, we are primarily interested in examinations of the discursive and material links between art historical theory and artistic practice.

Please send a 250-word abstract and brief c.v. by February 11 to both:

Priyanka Basu
Visiting Assistant Professor, Art Department, St. Norbert College
pbasu1@gmail.com

Kathleen Chapman
Assistant Professor, Department of Art History, Virginia Commonwealth University
Kchapman4@vcu.edu
Quelle der BeschreibungInformation des Anbieters
Internetadressehttp://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-Germanistik&mo...
VeranstaltungsortDenver, CO, USA
Bewerbungsschluss11.02.2013
Beginn03.10.2013
Ende06.10.2013
PersonName: Priyanka Basu 
Funktion: Visiting Assistant Professor, St. Norbert College 
E-Mail: pbasu1@gmail.com 
KontaktdatenName/Institution: Priyanka Basu/St. Norbert College 
Strasse/Postfach: Art Department, BAC 164, 100 Grant St.  
Postleitzahl: 54115-2099 
Stadt: De Pere 
Telefon: 920-403-2996 
Fax: 920-403-4049 
E-Mail: pbasu1@gmail.com 
LandVereinigte Staaten von Amerika
Ediert von  H-Germanistik
Ein Angebot vonGermanistik im Netz
URL dieses Wer-Was-Wo-Datensatzeshttp://www.germanistik-im-netz.de/wer-was-wo/30969

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