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Ergebnisanzeige "Constructing the Nation in Literature and Film"
|Ressourcentyp||Call for Papers|
|Titel||Constructing the Nation in Literature and Film|
|Beschreibung||Leeds-Swansea Series in Contemporary German Literature
Constructing the Nation in Literature and Film
CALL FOR PAPERS
16-18 July 2012, Swansea University
Colloquium organizers: Julian Preece and Frank Finlay
Supported by the Austrian Cultural Forum
This Colloquium explores the contention that the national question is being posed across Europe at present, which is in turn manifested in contemporary works by German, Austrian and Swiss authors (and indeed by writers of German from other national backgrounds), both thematically and in terms of form. For example, globalization may be argued to have fostered two extreme tendencies: on the one hand championing the dissolution of national allegiances, while on the other provoking a return to the nation state as a bastion of identity. Writers react in a variety of ways: by taking hybrid culture as a given and investigating tensions which arise within in it and which in turn determine their use of literary narrative or dramatic or poetic forms; by seeing dangers in the disappearance of national cultural models, which can also be a reaction against the perceived hegemony of the 'Sixty-Eighters' (cue: Thilo Sarrazin's 2010 inflammatory bestseller, Deutschland schafft sich ab); or by engaging with uncritical uses of tradition. Political disputes have gone to the heart of how society is ordered. Some German writers follow French trends in terming neo-liberal capitalism 'Anglo-Saxon'. In the forms and themes of literature, political developments are reflected, explored, and challenged in all sorts of ways - sometimes arguably anticipated.
The Colloquium will ask: what has literature in German been saying lately about nations, nationalisms, and nationalism's 'others': globalism, Europeanism, Atlanticism, cosmopolitanism, provincialism, political religion, or 'unpolitical' attitudes? Contributors are asked to interpret their chosen novels, dramas, volumes of poetry, or films as metaphors / narratives of the twenty-first century nation. Possible topics include:
images of the nation as construed by imaginative writers of the younger generation such as Katharina Hacker, Daniel Kehlmann, Michael Kumpfmüller, André Kubitschek, Ingo Niermann / Alexander Wallasch, Charlotte Roche, Katrin Röggla, and Uwe Tellkamp, as well as established figures, like Grass, Jelinek, and Walser; themes, such as national-unity narratives; nation and gender / race / class; the crisis year of 2005; the historical novel; leftwing vs. rightwing nationalisms; dystopias; political fiction and non-fiction.
Please send title and brief synopsis in English or German to either firstname.lastname@example.org
A selection of the papers will be published in volume 3 of the Leeds-Swansea Series.
For details of volume 2, Religion and Identity in Germany Today: Doubters, Believers, Seekers in Literature and Film (Lang, 2010), click here: http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=54513&concordeid=430156
William Collins Donahue (Duke), 'Bernhard Schlink's Heidelberg Lectures'
Sven Hanuschek (Munich), 'Andreas Maier's series of Heimat novels'
Ortrud Gutjahr, (Hamburg, Professor), 'Transnationalität im Deutsch-Türkischen Film'
Carmen Ulrich (Delhi), '"was ein Liebender im Taumel tränke" - > Zerfurchte Porträts deutscher Geschichte in Reinhard Jirgls Roman Die Stille (2009)'
Stefan Neuhaus (Innsbruck), 'Neo-Nationalism and Literature'
Matthias Uecker (Nottingham), 'German Stories for International Audiences: or, Why does the Rest of the World Love Goodbye Lenin! but not Das Wunder von Bern?'
Uwe Schütte (Aston), 'W.G. Sebald on Germany'
Thomas Irmer (Berlin), Christof Schlingensief
Greg Bond (Berlin), Moritz von Uslar, Deutschboden. Eine teilnehmende Beobachtung
Professor of German
Department of Languages, Media and Translation
Keir Hardie Building
Swansea University, SA2 8PP
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